Archive for September, 2011

Guns N’ Roses returns to Massachusetts… sort of

Friday, September 30th, 2011

Who is G N’ R to you? Axl, of course, but also Slash, Duff, Izzy and Steven Adler?

Well, a very different G N’ R is headed back to the DCU Center on Nov. 25. Guns N RosesThis is the line up: Axl Rose, DJ Ashba (guitar), Dizzy Reed (keyboards), Tommy Stinson (bass), Richard Fortus (guitar), Ron “Bumblefoot” Thal (guitar), Chris Pitman (keyboards) and Frank Ferrer (drums). (FYI, three guitarists means three separate five-minute solo spots for each player to do his best EVH impression.)

This is basically the band that showed up two-and-a-half-hours late to the DCU five years ago. Which was admittedly a pretty cool show as long as you didn’t have to get to go to work the next morning, dug the new stuff and liked three separate five-minute guitar solos. But cool or no, it’s not quite right.

Axl has made Guns N’ Roses the rock ‘n’ roll Yankees. He pulled out his checkbook and spent his royalties recruiting the best talent in the world (yes, his hired guns can really play). But as the Yankees often find out, you can’t buy chemistry.

So who’s going? Is this G N’ R to you or was the band dead the minute Slash left? Personally, I think things went downhill post-Izzy.

By Jed Gottlieb, Reposted from BostonHerald.com

Planks for nothing! Tom Green says he was way ahead of trend

Wednesday, September 28th, 2011

Planking, the phenomenon where a person lies face down in an unusual location, is a trend that’s gone viral over the Internet and on last week’s season opener of “The Office.” But Green, a comedian and former star of MTV’s “Tom Green Show,” started planking when he was doing Canadian public access TV back in the ’80s and ’90s.  Tom Green Planking Video

“Well, I was doing it first,” Tom told the Track yesterday while lunching at Stephanie’s on Newbury. “But I didn’t call it planking, I called it ‘Dead Guy.’ But it was planking. … I suspect what happened is that the video got seen all around the world and people thought it was funny. It’s a very specific thing, planking. You’ve got to keep a straight face, lie on your face, keep your arms to your side. You’ve gotta pretend nothing’s going on, nothing’s wrong.”

And, much to our surprise, Green dropped to the ground and demo’d how planking is done!

“You have to have your nose on the pavement. You can’t laugh, smile or look at the camera,” said the Original Planker.

While Tom was doing his famous face plant on the sidewalk, some people just walked by (probably New Yorkers) while others debated if he was physically ill. A few people, well aware of Tom’s shtick, stopped to snap photos.

“When I was first doing it, it was to confuse and annoy everybody,” Tom said after taking his seat. “I know people are doing it now because they think it’s fun. It’s not fun. It’s not fun lying on your face for no reason. There’s nothing fun about that. But because it sort of became popular or trendy, the joke doesn’t really work anymore. The whole element of it is confusion.”

The Canadian-born comic, who was on Newbury Street yesterday shopping for black T-shirts, is in town to perform two shows at the Wilbur Theatre on Friday night, both of which will be filmed for his new comedy special. But since Tom’s better known for his man-on-the-street type of yuks, many people don’t associate him with stand-up. In reality, Tom started hitting open mike nights up in the Great White North at age 15.

“I’m going to be doing stand-up for the next 10 to 15 years,” Green reported. “It’s a whole new chapter in my life and my comedy. It’s my focus.”

So why did he choose Boston to film his first comedy special?

“People seem to really respond to stand-up comedy here in a way that’s a little bit different than a lot of places,” said Tom. “There’s a lot of great stand-ups that come from here. There’s a certain understanding of the cadence of it.”

A U-Haul truck slowly inched through traffic on Newbury Street, and the driver and passenger noticed the famous planker sitting on the patio.

“Tom Green!” they yelled out the window. “Thank you for your existence!”

Tom waved back, smiled, and said, “That’s the whole point.”

File Under: The Green Way

By Gayle Fee And Laura Raposa With Megan Johnson / Inside Track, Re-posted from BostonHerald.com

Video by Nancy Lane, Boston Herald

 

 

Southie waterfront to get new Shrine

Monday, September 26th, 2011

Big Night Entertainment — the group behind Shrine, Scorpion Bar and High Rollers at Foxwoods Resort Casino, and the Hub’s Red Lantern and The Estate — will join the growing party in South Boston’s so-called Innovation District. Shrine

The Boston-based company plans to open a “first-class and high-quality” Asian-themed restaurant and lounge at One Marina Park Drive, a waterfront building on Fan Pier, according to a legal notice for its liquor license hearing.

Although the notice says the venture will be known as Shrine Boston, Big Night honcho Ed Kane said that name was a place holder, and no design or concept has been set.

“We’ve been looking for the right location in the Innovation District since the mayor announced his vision to create a unique and vibrant destination,” Kane said in a statement.”

The first-floor space — also home to the Strega Waterfront restaurant and Caffe di Marina — has been vacant since the Louis store moved into its new, permanent Fan Pier building last year, according to Boston Harbor Association president Vivien Li.

“It’s going to be exciting that the space on the first floor will finally be filled,” Li said. “It’s 12,000 square feet, so it probably will have to be a good mix of a restaurant and a very good-sized bar area.”

By Donna Goodison, Re-posted from BostonHerald.com

Fake IDs in Boston: Worth it or Not?

Friday, September 23rd, 2011

The undeniable allure of Boston’s neon signs tempts the underage drinkers, for whom turning 21 is a rite of passage. All that stands between average college buzz-seekers and the endless nights of bar-crawling hysteria and shameless flirting in classy nightclubs is their birth date — or, in many cases, the bouncer or bartender questioning them about their fake one. Fake ID's

Though a somewhat convincing plastic ID card and some amateur Photoshop skills might pass in other major cities, a fake ID, if detected, won’t slide in the Boston area. Massachusetts law considers using a fake ID a criminal offense, punishable by a maximum sentence of three months in jail, a $200 fine, and a one-year suspension of your license (the legal one).

Most minors might only procure a fake ID for the purchase of alcohol, but falsifying identification is a criminal offense and a national security issue. Therefore, vendors who come across fake IDs “are supposed to take them and give them to the local police,” said Officer Amy McKenna of BPD District 14 (Allston/Brighton). However, most clubs and bars only confiscate the fraudulent license and ask the individual to leave.

“They can’t do that,” said Officer McKenna, “because the law states that they have to give it to the local police department.”

“If it doesn’t look real we ask for a second ID….If they have a second ID and we still don’t approve, we can ask the manager to verify,” said a bartender at Red Sky, a restaurant and lounge in the Faneuil Hall area. Her job required that she remain anonymous. “We have a paper ID that matches what the real IDs are supposed to look like. [If it’s fake], we take them, [and] we don’t serve [the person].”

But fake ID providers have responded to the Boston market with higher-quality IDs. Through significant technological advancements, various organizations have established themselves as reputable, illegal providers of fraudulent licenses for the underage black market.

A Google search of “How can I get a fake ID?” generates effective responses within seconds of entering those risky words. Students can look around and compare prices and quality as if they’re shopping for a legal, well-advertised product.

In a matter of 20 or so days, purchasers can have a new birthday and access to Boston’s nightlife. Minors buying from one site may even assemble a group to purchase in bulk at a lower cost. IDs cost between $50 and $200 for two copies, depending on group size and ID quality, wired from a designated account number to an unknown location. After that, the process is easy: Choose your desired state of residence — typically Florida or Pennsylvania, given the minimal security features of those states’ licenses — name, and basic information. Customers must also provide a headshot taken against a solid-colored backdrop, which the site will crop and edit to appear as though it was taken at the Registry of Motor Vehicles.

Despite these deviously innovative technologies that may fool club and bar owners without access to certain records, police forces remain capable of detecting a fraudulent license. Fenway Park security confiscates fake IDs and turns them over to Alcohol Compliance.

“[We] pretty much just take it…and ask them nicely to leave the stadium,” said a Fenway park security guard who concealed his nametag while I spoke with him. Job-related policies required that he remain anonymous. “[We have] no tolerance.”

Despite these risks, some students feel the price is worth it.

“To really experience Boston nightlife, you need a fake to get into the good clubs and bars. The city schools do not have the frat scene that the suburban schools tend to have,” said a Boston University sophomore. “I’m smart enough to know whether and when to use it, so the risk is worth the reward.”

Those students who see no appeal in going through the trouble of sending confidential information over the internet and paying a steep price for a product that they could lose in one use may instead choose to borrow a legal ID from a sibling or a look-a-like older student, bypassing the quality and scanning issues.

Bars right near college campuses like BC, BU, and Northeastern that I know of are really hard to get into because they know [we’re] all college kids trying [to use a fake],” said a Boston College sophomore. “These bars, you have better luck with using a fake ID that is your real picture, but a lot of bars that are right in Boston are a lot easier, and you can get in with a fake that isn’t you but is a real ID.”

And other students simply remain content waiting patiently for that magical birthday.

“At some point we’re all going to be 21, so just wait it out,” said Thomas Diorio, a sophomore at Bentley. “It’s not worth getting arrested or fined over.”

By Lacey Nemergut, Re-posted from Boston.com

IPads increasingly crop up on restaurant menus for ordering

Wednesday, September 21st, 2011

TORRANCE, Calif. – Jamie Hill went to a new restaurant the other day that required her to order food not from a waiter but by swiping her fingers on an iPad.

“It was amazing,” she says of her visit to Stacked, a create-your-own burger and pizza restaurant here that opened last May. “My IPad Menusdaughter brought me here and showed me how to do it. You get to build your food. It was fun.”

Stacked, which has two locations in California and is set to open a third in October, is one of many eateries now using technology — specifically iPads or other tablet computers — to serve customers.

Steakhouses in San Francisco, Atlanta and Chicago use tablets to let customers make wine and steak selections. At 12 locations in Boston, Au Bon Pain lets customers choose ingredients for their sandwiches using an iPad.

It doesn’t make the ordering process more accurate, says Ed Frechette, vice president of marketing for Au Bon Pain. But “it’s tech, so it’s fun.”

The rise of tablets couldn’t come at a more opportune time for the $604 billion restaurant industry. Traffic has been flat since 2007, largely as a result of the sluggish economy and belt-tightening by consumers, says Bonnie Riggs, a restaurant analyst at NPD Group.

Yearly visits to restaurants are flat at about 60 million, Riggs says. Meanwhile tablets, dominated by the iPad, are one of the best-selling consumer items. An estimated 208 million of the devices will be sold by 2014, up from about 54 million this year, researcher Gartner projects.

Umami Burger, a Los Angeles-based chain, uses a Presto tablet leased from E La Carte, which supplies the devices to restaurants. The company recently received $4 million in funding from Lightbank, a venture fund run by Eric Lefkofsky and Brad Keywell, the co-founders of Groupon.

“You can look and see everything you want, instead of written descriptions,” Umami customer Terri Covert said at lunch hour recently. “I like the visuals. You know what you’re going to get.”

E La Carte founder Rajat Suri says he has 100 restaurants signed up for Presto, and another 150 on a waiting list. Presto is powered by an 18-hour battery and, because the tablet is proprietary, “It won’t get stolen,” Suri said.

But Stacked co-founder Paul Motenko says theft has not been an issue. “We have not lost a single iPad; we have not broken a single iPad; and not a single one has stopped working.”

For the first location in Torrance, he bought 60 iPads for the tables, a $30,000 investment for a restaurant that cost him $1 million to set up. His software system lets customers order from their table, send the meal ticket directly to the kitchen — and even pay via the iPad. Servers bring the food and beverages.

“The advantage to the guest is the speed of service,” he says. “The communication between the guest and kitchen is immediate, which is something that’s unheard of in the restaurant business.”

More yummy info, images on tablets

Restaurants are using tablets in different ways. At Bones in Atlanta, it’s to show off its wines. At the Lark Creek Steak restaurant in San Francisco, it’s all about touting its steaks.

“The advantage for us is we can include a lot more information,” Lark Senior Vice President Quinn McKenna says. “Instead of just saying ’14-ounce steak,’ on the menu, we can show pictures of it and say where the beef comes from. One of the common challenges in a steakhouse is that your medium rare might be different from ours. But if I show you a picture, everyone agrees.”

McKenna hopes Lark’s testing will result in diners spending more. Eventually, he’d like to add Amazon-like features that learn about the customer. For example, “If you ordered this steak, you might like this particular wine,” he suggests.

At Stacked, customers build milkshakes from scratch (add Oreos, peanut butter cups, strawberries) and get rather exotic with other staples, like a macaroni and cheese pizza or burgers stacked with lettuce, pickles and potato chips.

But Riggs says paper menus aren’t going away anytime soon.

“Older consumers won’t want to bother with the iPad,” she says. And for restaurant owners, “paper menus are way less expensive.”

By Jefferson Graham, USA Today

Grub With Us gathers strangers for social meals

Monday, September 19th, 2011

Guess who’s coming to dinner?

Armed with a reservation and a cocktail, I was ready for an adventure.

My mission: to share a meal with a table of strangers.

Grub With Us, a social network that organizes family-style meals for the un-acquainted, launched in Boston in June. It started a year ago when college buddies Daishin Sugano and Eddy Lu, both 30, relocated to Chicago. Diners enjoying a meal using Grub With Us

“It was a new city that we moved to and we didn’t have any friends. It was hard,” Sugano said. Sugano and Lu decided to parlay their love of eating into a no-pressure, social opportunity.

“Food is very casual. At the meal, the food serves as an ice-breaker,” Sugano said. Since last fall, the duo have spread Grub With Us to New York, San Francisco, Los Angeles, Washington, D.C., and, most recently, Boston.

Users create a free profile at grubwithus.com, similar to Facebook and other social sites, and use it to reserve a seat and prepay for the meal. Those brave enough to sign up first pay less than the last person (prices range from $20-$30).

As the fourth to sign up, I paid $28 for a three-course nosh at Marliave — which featured its famed tidbits (gooey cheese and bacon sopped up with toasted baguette), salad, ravioli, pizza, fish and chips, and truffles.

Our eclectic group included a former computer programmer, an advertising media planner, a public relations specialist and another writer. The maximum number of participants for most dinners is eight.

Dan Winkler, 48, of Millis sought out the dinner for the social factor. “This thing attracts very outgoing people,” Winkler said.

It was everyone’s first dinner, and nervous chatter about how we each discovered the site subsided once the plates started hitting the table. The mac and cheese — made with farmhouse cheeses, cream and black truffle oil — was an instant hit, as were the simple ricotta-filled raviolis. Most showed up to Marliave to test their palates, but diners don’t need to be gourmands to enjoy.

“I don’t think this really is for foodies. Foodies will have specific ideas about where they want to go,” Winkler said about the random, prechosen destinations.

The real focus is to make new friends and have a good time.

He was so happy with his experience that he went back for seconds — signing up for another Grub With Us meal at the Salty Pig in the Back Bay.

During the hour-and-a- half dinner, our group chatted about hometowns, occupations and film, all topics safely within the Grub With Us meal etiquette guidelines.

Diners don’t need to know Emily Post by heart, but are asked to silence mobile phones and abstain from rants on politics, religion or war. And if you’re looking for a night of drinking — forget it.

“I really like the rules. It makes everybody think about their own behavior,” said Robin Sosnow, 24, a third-year law student at Suffolk University and an “ambassador” for Grub With Us. As such, Sosnow sits near the Grub With Us table, just to make sure the evening stays on track.

“If someone is hogging the food, if someone is getting drunk, then the meal failed in its purpose.”

By Tenley Woodman, Re-posted from Boston Herald.com

Photo By Stuart Cahill

Sting to launch “Back to Bass” tour in Boston

Friday, September 16th, 2011

Celebrating the 25th anniversary of his solo career, Sting has revealed plans to hit the road this fall for a tour of North Sting America. He’ll kick off the “Back to Bass” tour in Boston at the Citi Wang Theatre on Friday, October 21. Tickets for the show, which range in price from $51 to $151.50, will go on sale Monday at 10 a.m. through Telecharge.

On the theater tour, Sting will be performing his songs in a stripped down style “as they haven’t been played in years” according to a press release. Fans can expect a set filled with hits and favorites from throughout his solo career as well as a selection of The Police’s greatest hits. Sting will be backed by a 5-piece band featuring his longtime guitarist Dominic Miller, as well as guitarist Rufus Miller, drummer, Vinnie Colaiuta, electric fiddle player Peter Tickell and singer Jo Lawry.

The tour will be in support of Sting’s forthcoming box set, Sting: 25 Years, which will be released on September 27. The 3-disc set, which was personally curated by Sting, features re-mastered versions of hits, fan favorites and rarities over the course of his solo career. It also comes with the previously unreleased live DVD, “Rough, Raw & Unreleased”, which was filmed at New York City’s Irving Plaza. The whole set is packaged in a hardcover book featuring rare photos, complete lyrics and newly written commentary by Sting.

In addition, a single disc compilation called Sting: The Best of 25 Years will be released on October 18.

Re-posted from Boston Music Spotlight Staff

THE GERSHWINS’ PORGY AND BESS

Wednesday, September 14th, 2011

There will always be a few nights at the theater that I will remember my whole life, when I was swept up in something truly thrilling and sublimely beautiful. Last night was one of those nights. I sat transfixed at the A.R.T. as Audra McDonald and Norm Lewis sang us Porgy & Bessto Nirvana in the new adaptation of PORGY AND BESS, a once-daring new opera that put the largest entirely black cast on the American stage for the first time–Boston’s Colonial Theater to be exact–in 1935. The work has been “in progress” ever since, and now a talented triumvirate — Pulitzer Prize-winner Suzan-Lori Parks, Obie winning composer Dierdre L. Murray, and A.R.T. artistic director Diane Paulus– have reinvigorated it yet again. They have given us a physically stripped down, but dramatically punched up powerhouse of a rendition which allows George and Ira Gershwin’s and Dubose and Dorothy Heyward’s groundbreaking masterpiece to breathe in a new way. The result is a production at once epic and intimate, modern and urgent, perfectly cast and beautifully lit and choreographed.

THE GERSHWIN’S PORGY AND BESS begins with the soaring,indolent lullaby SUMMERTIME sung alone onstage by Clara to her baby. And it’s a REAL living breathing baby; yes–this production is alive in every sense of the word. The opening scene finds its apotheosis in the production’s Pirandellian final image: Porgy heading out alone, upstage, into the darkness, the set falling away, as he seeks a new beginning with the elusive Bess. In between, lies the desperate love story of the beautiful, lonely, tormented Bess victimized by a jealous and murderous lover, Crown; she seeks refuge in the arms of the physically crippled but emotionally complete Porgy, who only wants his Bess, and wants her to be happy. In duet, their voices, curl achingly around each other– she wrapt by his radiant goodness, he by her ardent sensuality, and even deeper longing for what only he can give her: a home. McDonald’s Bess is perfection; she is a tremendously expressive actress and a wondrous singer, with flawless technique, every note and musical phrase shaped to express the nuances of Bess’s yearning, fear, joy, and sexual hunger. As Porgy, Norm Lewis may be a less formally accomplished singer, but his purity of tone and emotional directness will stop you in your tracks; the transcendent humanity of this extraordinarily decent character brought the house down. When Lewis sings “I Got Plenty of Nothing,’” it blooms fresh onstage; he’s the incarnation of the sheer joy of being alive. By contrast Phillip Boykin brings a threatening coarseness to his resounding baritone as the brutish Crown. The dramatic tension embodied vocally by each character in this explosive triangle is part of what makes this production feel so rich and alive.

Gershwin’s score introduced rough and ready jazz and blues to classic operatic form and the result was pure exhilaration. This production builds on that musical premise, further adapting its form to the musical stage. Some of it is spoken, some is sung, and the result is pulse-pounding immediacy. The versatile and cohesive ensemble–equally dazzling in quartet and trio–brings everything it’s got to every number. “Leaving For The Promised Land” unites them in a jubilant prayer song culminating in the blinding white light of redemption. “It Ain’t Necessarily So” led by David Alan Grier’s Sporting Life is infused with broad, wry humor and rollicking choreography. The sparely naturalistic set further liberates the drama and keeps our focus on the internal momentum of these characters, as does the lighting which the actors themselves seem to emit.

I could go on. And on. And so did last night’s audience– on its feet, and after 4 curtain calls, still cheering for more. I was elated, having been moved by turns to tears and goosebumps . I am going again, and bringing my family. I urge you to do the same before the tickets run out and it heads to Broadway. The run ends Otober 2.
And if anyone’s wondering, “Is it wrong to tamper with a masterpiece?” –It ain’t necessarily so.

By Joyce Kulhawik, Re-posted from Joyceschoices.com Joyce Kulhawik

 

Watching the waves roll in

Monday, September 12th, 2011

The new restaurant row on Liberty Wharf is pulling in droves

Keith Watson’s public relations firm moved last February from Kendall Square in Cambridge to Boston’s Liberty Wharf, near the Seaport World Trade Center. His new offices boasted panoramic views of Boston Harbor yet little in the way of after-hours buzz.

“It was a ghost town,’’ Watson said one evening last week, sipping a drink at Restaurant Row at Liberty WharfLegal Harborside, a new three-story restaurant next door to his offices. “What’s happened since is pretty unbelievable. I never came down to this area at night, other than for concerts. But look at it now.’’

Look indeed. Lines out the door at four crowd-pleasing eateries that have opened on Liberty Wharf since March. Pedestrian traffic that often rivals Newbury Street’s, stretching from Fan Pier to the Institute of Contemporary Arts to the Bank of America Pavilion. City-goers and suburbanites flocking to an area – by foot, car, public transportation, even boat – that few had on their radar screens last summer.

The backdrop to this cocktail-sipping, fork-twirling, ballgame-watching, cool-to-be-on-the-waterfront vibe? A visual sense of Boston as port city, with sailboats and pleasure craft cruising by offshore, seagulls cawing overhead, and, come nightfall, neon signage lighting up one side of Northern Avenue and, on the other, starlight dancing off the water.

No wonder those drinking and dining here nightly rave about the ambience.

“I brought friends from California here recently, and they thought it felt like San Francisco,’’ said New Boston Fund regional director Gary Hofstetter, enjoying an evening beverage on Legal’s rooftop deck, overlooking the site where Jimmy’s Harborside Restaurant once stood. “The renaissance is amazing. And it’s attracting people of all ages.’’

Thirty years ago, “this area was Old Boston, dirty and nasty and industrial,’’ said attorney Edward Gelles, a South Boston resident, who had joined Hofstetter for a drink “I loved that part of it. But this is New Boston.’’

Up and down the Hub’s latest version of restaurant row – a block comprising Jerry Remy’s Sports Bar & Grille; Del Frisco’s, an upscale steak house; Temazcal Tequila Cantina, a gourmet Mexican bistro; and Legal Harborside, the seafood restaurant chain’s latest and largest addition – one hears similar comments.

This area was an untapped resource for bar-hopping and dining, people say, but that’s all changed now. Easily accessible from the suburbs? Check. Parking that doesn’t cost a small fortune (some street spaces, even)? Check. Plenty of fine dining options? Check. Places to tie up your boat? Check (if you don’t mind paying $20 an hour, that is). The one thing there isn’t is easy public transit access. (Silver Line buses are the best bet).

Dining at Temazcal, Laurie Videtta, 47, of Swampscott, who works for a Boston private investment firm, said a vibrant scene like this one “pulls you out of downtown’’ and makes an evening out seem more special.

“Downtown, you walk into a little bar that’s crowded and enclosed in four walls,’’ she said, a vintage schooner sailing by in the distance. “Here, there’s a lot of outdoors, upscale stuff.’’

Sean Melnick, 31, a medical supplies salesman from Boston, has already dined on Liberty Wharf four or five times this summer, having heard about it from a buddy. “For a long time, Boston has been starved for good waterfront restaurants,’’ he said, relaxing on the patio at Temazcal. “This makes it fun now, seeing so many people out at night.’’

Scott Haavisto, 32, an information technology worker who moved into the neighborhood just a few days ago, was waiting at Remy’s for a Red Sox-Yankees game to start, while other patrons stood three-deep at the bar. What’s happened here over the past few months amounts to “a domino effect,’’ he said, with each new opening boosting the fortunes of all others.

“People forgot about this area, frankly,’’ Haavisto said. “Opening one new place would have made it a destination-only place, but each one brings more and more people down here.’’

Edward Nardi of the Cresset Group, which owns and manages Liberty Wharf, concurred. “Between the restaurants down here, you easily have 2,000 seats,’’ he noted, standing on the sidewalk outside Temazcal on a busy weeknight. “So you know you won’t get shut out, even on a busy night.’’ The foot traffic “is amazing,’’ he added, the lines outside Temazcal and Legal’s already beginning to form at 6 o’clock.

Legal chief executive Roger Berkowitz credits the development of HarborWalk, a series of walkways and promenades that swings by Liberty Wharf, with helping spark the rebirth of a district where other bars and restaurants have flourished, from Jimmy’s and Anthony’s Pier 4, a pair of once-iconic waterfront destinations, to Morton’s, Legal Test Kitchen, Atlantic Beer Garden, and The Whiskey Priest, all located nearby or just down the road.

“You can spend more than a couple of hours down here now,’’ Berkowitz said, “walk around, visit the ICA. There’s enough critical mass so people who haven’t been here for years are coming down.’’

By and large, it is local residents and not tourists who are drawn to the waterfront scene, he added. “And that’s fine by me.’’

Even Berkowitz concedes that the multimillion-dollar question is whether a chilly Boston winter will rob the area of its seasonal sizzle. Naturally he hopes not. It may help, he says, that a cozy fireplace sits on Legal’s roof deck, ready to attract wintertime patrons.

Todd Hall, Temazcal’s chef-owner, notes these new restaurants opened strongly, long before visitors kicked into summer mode. “People are habitual. They’ll come back to wherever they’ve had a good time,’’ he said, adding that waterfront dining “could be very romantic with snow coming down’’ on the harbor. And none of these establishments lacks for floor-to-ceiling glass.

“We’ve done a lot of research that shows business as usual’’ this winter, said general manager Gregg Rinaldi of Del Frisco’s, which has been jam-packed since its April opening, notwithstanding a soft economy and its $44 steaks. “The foot traffic may not be here, but the destination will be.’’

Laurie Videtta, for one, does predict that business would slow significantly this winter, however. And that’s not necessarily a bad thing for those currently enduring two-hour waits for a tables. Neither does that bother newlyweds and Seaport District residents Chris and Erin Smith, either. The couple, both 26, moved into an apartment across Northern Avenue this June. Theirs is definitely an up-and-coming neighborhood, they say, but that too has its drawbacks.

“It’s gotten so busy, when we go out for dinner these days it’s usually to Brookline or Cambridge,’’ said Erin Smith, beer in hand as she admired the setting sun from Legal’s roof deck. “We’re kind of hoping for bad weather.’’

By Joseph P. Kahn, Re-posted from Boston.com

Photo by, Liberty Wharf 2010

Steve Miller Band to play the Orpheum Theatre

Saturday, September 10th, 2011

The Steve Miller Band have revealed plans to hit Massachusetts this fall in support of their latest release, Let Your Hair Down. The classic rock favorites will play Boston’s Orpheum Theatre on Friday, October 14. Tickets for the show, which range in price from $49 and $69, will go on sale Friday at 10 a.m. through Live Nation.

Steve Miller Band

Steve Miller

Let Your Hair Down, which was released in April, follows their 2010 album Bingo!It was recorded at the same times at Bingo!, which was released 10 months earlier.

Bingo!, which was recently nominated as blues rock album of the year by the Blues Foundation, was the first studio release from the Steve Miller Band since 1993′s Wide River. Let Your Hair Down features the last recordings by harmonica virtuoso Norton Buffalo, Miller’s “partner in harmony” for thirty-three years. Buffalo has since been replaced by Jacob Peterson for the band’s live shows.

“It’s always fun,” said Miller in a video previewing the tour on his website.”We’ve made little changes here and there and improved things. Changed the set around and I think it looks better.”

Fans can expect a set of classic greatest hits alongside a handful of new tunes from Let Your Hair Down and Bingo!, and possibly even some new material.

Later this month, Miller will join California’s Pacific Symphony Youth Orchestra for a pair of special performances dubbed “Rock Symphony”. The shows will take place at the Steve Miller Amphitheater at the Fender Center in Corona on September 17 and 18. The stage was named in Miller’s honor for his decade of dedicated work on behalf of the Fender Center’s Kids Rock Free music education program.

Re-posted from the BostonMusicSpotlight.com