Archive for November, 2011

Top of the Hub | Fine Dining With a View

Wednesday, November 30th, 2011

Way atop the city skyline lies the best view of Boston (52 floors above the Prudential Center to be exact), where the Top of the Hub continues to make a name for itself churning out flavorful contemporary cuisine. The picturesque setting offers breathtaking 360-degree views from Logan Airport to Cambridge, north to Revere and south to South Boston and Boston Sky Linebeyond.

Whether you come before or after a visit to the Skywalk Observatory, the restaurant is an absolute must for locals and tourists alike. Foodies love the chef’s tasting menu which may feature dishes like grilled tenderloin of beef au poivre that can be paired up with wines. The three-course prix fixe menu is also popular with diners looking for a little structure.

When making a reservation here, be sure to request a window seat (corner tables are the best) for a truly amazing view of the city from the floor-to-ceiling, two-story glass windows. We visited recently for lunch and started off with a sampling of untraditional sliders — their own take, which featured three mini Kobe beef hot dog sliders with mustard and onion piccalilli on deliciously rich, buttery grilled brioche buns. The grilled juicy tenderloin of beef flatbread should not be missed; it is topped with a creamy melted Boursin cheese spread, roasted tomato aioli and roasted sweet peppers and onions.

Executive Chef Mark Porcaro has designed a varied lunch menu that features everything from a turkey club and pulled pork sandwich to smoked chicken cobb salad and grilled hanger steak with garlic herb pomme frites. We sampled the enormously juicy grilled Angus burger topped with Vermont cheddar, sweet port wine glazed onions on a brioche bun served with a side basket of crispy fries.

he declared winner of the table though was the pan seared mahi with butternut squash ravioli, green beans, tomatoes with a lemon butter sauce with capers. Dinner entrées here include a nice selection of pasta (the seasonal butternut squash ravioli with walnut brown butter and sage sounded amazing) as well as a taste of New England with grilled Block Island swordfish and Vermont Misty Knolls chicken.

If you can save room for dessert, we highly recommend the chocolate decadence or apple cobbler, which is perfectly paired up with a port wine or Irish coffee. After your meal, head over to the bar for an after-dinner drink while listening to some live jazz playing each evening. Top of the Hub is located at 800 Boylston Street in Boston. For reservations or more information, visit TopOfTheHub.net or call (617) 536-1775.

By Kellie K. Speed

Re-posted from JustLuxe.com

New theatre company marks Boston’s playbills with ‘Fresh Ink’

Monday, November 28th, 2011

Boston’s small theatre scene is affordable, lively, and incredibly engaging — not surprising, given the city’s pool of talented, dedicated individuals. While many students and recent college grads join companies to gain acting, directing, or lighting and costume design experience, this inclusive, collaborative community includes participants of all ages.

“The people in small theatre are there because they need theatre to be a part of their lives, even if their jobs take them Fresh Ink Theatre Companyelsewhere,” said Robyn Linden, vice president of the Small Theatre Alliance of Boston (STAB) and marketing director for the brand-new Fresh Ink Theatre, which is a perfect example of that drive.

“We were friends who wanted to make good theatre,” Linden said of Fresh Ink, which is comprised of members of the disbanded 11:11 Theatre Company who felt compelled to keep working together. They built upon the good aspects of their prior company and came up with a brand-new M.O.: Commit solely to developing new works, a mission few other Boston-area companies share.

The designation “small theatre” describes a company’s size and number of productions in a season — typically around four, with about 12 performances each, Linden said. It also often refers to the more intimate, budget-friendly spaces in which these companies perform.

Although small theatre companies are just as likely to produce classic plays, musicals, or more mainstream modern works, their spaces lend themselves well to fringe work — the “equivalent of indie music,” said Melanie Garber, a Boston-area playwright, director, theatre educator, and actor. Fresh Ink selects their top choices from playwrights’ submissions for public readings. Three of those selections go through private workshops and become next season’s plays.

“We take a script that needs to be nurtured, and we talk about it to figure out which parts are incredible and which parts are unclear,” Linden said. “Working directly with playwrights helps us discover what their goals are: What do they want to communicate? What do they want us to learn?” The ultimate goal is to establish a dialogue with the audience, which is why fringe productions resonate so strongly with younger generations.

Fresh Ink hopes to kick-start a new discussion with its debut production, Priscilla Dreams the Answer, by Walt McGough, a 27-year-old award-winning playwright based in Boston and Chicago.

“We, the audience, watch title character Priscilla (Caroline L. Price) emerge from a tragedy through the help of her boss Harry (Bob Mussett), wiz kid Simon (Michael Caminiti), and two aliens (Dakota Shepard and Emily Kaye Lazzaro),” Garber, the play’s director, said. “Priscilla navigates through her dream world back to a reality she can accept.

“My hope is that audiences see a part of themselves reflected in the characters and their journey and that, like Priscilla, those watching will feel a little less alone in this world,” she said.

Priscilla Dreams the Answer opens Dec. 8 at the South End’s Factory Theatre. Tickets are $16 and all general admission.

By Bethany O’Meara

Re-posted from Boston.com

Kelly Clarkson announces 2012 tour

Friday, November 25th, 2011

Kelly Clarkson has announced plans for her highly anticipated tour in support of her brand new album, Stronger. The pop star will hit the road for a 40-plus city trek that will swing through Boston for a performance at the Citi Wang Theatre on Thursday, January 26. Tickets for the show, which range in price from $39.50 to $79.50, will go on sale Friday (Nov. 18) at noon through the venue’s box office and website. Boston’s own Matt Nathanson will open the Kelley Clarkson "Mr. Know it all" video show.

Clarkson will kick off the tour at the MGM Grand Theatre at Foxwoods Casino in Mashantucket, Connecticut on Friday, January 13. She’ll also stop in Manchester, New Hampshire for a show at the Verizon Wireless Arena on Tuesday, January 24. Tickets for the show, which range in price from $33.50 to $53.50, will go on sale Friday at noon through Ticketmaster.

Stronger, her fifth studio effort, debuted at #2 on the Billboard 200 after its release last month. All five of Clarkson’s albums have debuted in the top three. Stronger‘s lead single “Mr. Know It All” has reached #4 on the iTunes Singles Chart and marks Kelly’s 9th Top 10 hit on the Billboard Hot 100. The video for the hit song is streaming below.

“What separates this album are the vocals,” Clarkson explained in a press release. “They sound richer and fuller, and, for the first time, how I sound when I’m performing live. The producers I worked with just let me sing and be me. They didn’t strip away the personality. And it was one of those things where if the people I’m working with have confidence in me, I have more confidence in myself and that changed everything. I can’t wait to perform these songs on tour. I think that’s the best way to get to know an artist, and where you get to see actual personality, because we can’t hide much onstage.”

In related news, Clarkson recently won a Country Music Association award for Musical Event of the Year with Jason Aldean, for their hit single “Don’t You Wanna Stay”.

Re-posted from BostonMusicSpotlight

“Stingers, and keep them coming.”

Wednesday, November 23rd, 2011

Cary Grant, as a navy pilot, in Kiss Them for Me. (Check out Jayne Mansfield in this one — talk about stingers!)

In fact, Esquire’s 1949 Handbook for Hosts identifies the Stinger as a favorite with flyboys back in the Big One. Chalk Stinger Martinithis up to one of two things: (1) They were a bunch of college boys who hadn’t got used to the taste of real liquor; or (2) The mint oil it contains was widely supposed to work toward disguising the alcohol on one’s breath. Or perhaps, as is so often the case when it comes to choosing one tipple over another, there’s a social factor involved. The Stinger, you see, was a terribly upper-crust sort of drink, the kind of thing you’d order at the club after a hard day of doing nothing whilst in luxurious surroundings. The fighter-jockeys considered themselves the aristocracy of the armed forces, and what could be more natural than for them to drink accordingly? In any case, the Stinger’s as quick and pleasant a way to fill up on the ol’ ethylated spirit as any known. More important, if it’s ordered correctly, only the most clueless bar-fumbler can screw it up.

Saving that happy thought, let’s talk history. Of all the indispensable cocktails, the Stinger’s origins are the most obscure. One way or another, over the course of time your martinis and Manhattans, Old-Fashioneds and Sazeracs, daiquiris and margaritas have all been fitted out with etiologies, a word which here means “a dubiously accurate story explaining a cocktail’s origin.” Not the Stinger — its conception is tied to no bartender, no grand hotel, no long-dead barfly. Doubtless led astray by its absence in the most common pre-Prohibition drink guides, some folks have asserted that it was a child of the Dry Age, born of the need to disguise the taste of homemade hooch. Nope. Jerry Sullivan, writing after repeal, cites it as one of the most popular pre-Prohibition drinks, and indeed it’s right there in Tom Bullock’s 1917 Ideal Bartender. Beyond that, however, we know next to nothing. If it was known to the experts behind the bar at the Old Waldorf-Astoria, it didn’t make it into their bar book.

But that’s not the end of the story. A careful search of the professional literature presents us with a philosophical problem. Would that combination of brandy and crème de menthe we call a Stinger, by any other name, sting as sweetly? Like, for instance, if you call it a Judge, as William “The Only William” Schmidt did in 1891, or a Brant, as George J. Kappeler did four years later (although he added a couple of dashes of Angostura bitters and a twist of lemon peel). And what if you call it a Stinger all right, but use Amer Picon* instead of brandy? New York’s Café des Beaux Arts (a “bar for women,” as The New York Times noted) was doing that in 1913. All valid questions, but above our pay grade.

Whatever its origins, traditionally the Stinger was strictly an after-dinner drink. But then, sometime in the early 1920s, Reginald Vanderbilt (father of little Gloria) took to moistening the clay with them before his meals at New York’s celeb-infested The Colony. In a lesser name, that would of course be considered vulgar. But if a Vanderbilt’s doing it, it must be kosher. For that service, we thank him.

* Amer Picon is an orangish-flavored French bitter, formerly made at 80-proof and now much lower. (Amer Torani, from California, is a nice full-strength substitute if you can find it.)

Ingredients

  • 2 1/4 ounces brandy/cogniac
  • 3/4 ounce white creme de menthe

Instructions

Shake well with cracked ice — and go easy on the crème de menthe — then strain into a chilled martini glass. The Stinger is sometimes served with a pair of short straws. Don’t tell anyone we said so, but the Stinger is almost as tasty if you make it with a good white rum, such as Brugal. You can call that a Picador, we suppose.

Re-posted from Esquire.com

14 Million People to Eat Thanksgiving at Restaurants

Monday, November 21st, 2011

Who eats Thanksgiving at restaurants? 14 million Americans, according to National Restaurant Association research. That only makes up 6% of the American public, but it’s still kind of a lot. They also estimate 16 million “use restaurant takeout to supplement a meal at their own or someone else’s home.” Which could really be a store bought pie or rolls or something? That seems pretty common.

The same research shows that while one in ten Americans will have more than one Thanksgiving meal, 3% of Americans aren’t doing anything special. Maybe they should get together and share? Above, the restaurant-goers give their reasons, including five percent who have absolutely no idea why they’re eating out on Thanksgiving. Below, the full press release.

30 Million Americans Expected to Make Restaurants Part of Their Thanksgiving Meals, According to the National Restaurant Association National Restaurant Association also projects that 32 million Americans will dine out while shopping on Black Friday.

(Washington, D.C.) The National Restaurant Association estimates that 14 million Americans will visit a restaurant for a Thanksgiving meal this year, and an additional 16 million will use restaurant takeout to supplement a meal at their own or someone else;s home. In addition, 32 million Americans are expected to dine out while shopping on Black Friday, according to new research by the Association. The new research also shows that convenience is the primary reason for making restaurants part of Thanksgiving celebrations.Restaurant Chart for Thanksgiving

 “In today’s activity-rich, time-poor society, restaurants play an important role in bringing friends and family together to share a holiday meal for Thanksgiving,” said Hudson Riehle, senior vice president of the Research and Knowledge Group for the National Restaurant Association. “Our research clearly shows that the convenience of restaurant meals – not having to shop, cook and clean up – drives consumer behavior and will lead millions of Americans to patronize restaurants this Thanksgiving.”

 “In addition, 20 percent of adults say they plan to go shopping on Black Friday, November 25, and of those, nearly seven out of 10 plan to visit a restaurant while on their shopping trip,” Riehle added. “Savvy diners can also do some holiday shopping while enjoying their restaurant meal by purchasing restaurant gift cards. Our research also shows that restaurant gift certificates top the list of gifts consumers want to receive on special occasions.”

 When asked about the top reason for using restaurant services this Thanksgiving, 63 percent of consumers said that the convenience of using restaurant-prepared takeout items for all or part of their Thanksgiving meal allows for more time with family and friends. Thirty-one percent said they plan to dine in a restaurant for a Thanksgiving meal because they prefer to not cook a big meal and deal with the cleanup that goes along with it.

In addition to convenience, consumers who plan to dine out for a Thanksgiving meal this year say they will do so because they are traveling and don’t have the ability to cook (22 percent), they prefer to go to restaurants on special occasions (15 percent), somebody else is hosting and they prefer to dine out (15 percent), and they don’t have enough space to host a Thanksgiving event (12 percent).

For those planning to order full or partial Thanksgiving meals for takeout, those who didn’t cite convenience as the main reason said they will turn to restaurants because they aren’t good cooks (15 percent), they don’t have time to prepare food (10 percent), and the taste and quality of restaurant food is better (3 percent).

Overall, 55 percent of American adults say they plan to eat a meal at their own home this Thanksgiving, 46 percent say they plan to eat a meal at someone else’s home, 6 percent plan to dine at a restaurant, and 3 percent don’t plan to have a special meal. One in 10 plans to have more than one Thanksgiving meal this year.

The National Restaurant Association surveyed 1,011 American adults on November 10-14 about their dining plans for the Thanksgiving holiday weekend. Projections for the number of Americans who will visit restaurants or order takeout are based on economic analysis and research conducted over the last two decades by the National Restaurant Association.

DKM plot Lowelll shows for St. Patrick’s Day 2012

Friday, November 18th, 2011

Dropkick Murphys have announced the initial dates for their 2012 St. Patrick’s Day North American Tour with supporting special guest Frank Turner. The annual trek kicks off February 22 in Toronto and wraps with the band’s second appearance at Washington, D.C.’s ShamrockFest on March 24. Though no details regarding the Dropkick Murphys’ traditional string of always sold-out Boston shows have been revealed, the band has announced they will play a pair of shows at the Tsongas Arena in Lowell on St. Patrick’s Day. Dropkick Murphys

Tickets for both shows in Lowell on Saturday, March 17, which will take place at 2 and 8 p.m., will go on sale Friday at 10 a.m. through the venue’s box office and website for $32.50.

Along with the tour dates, Dropkick Murphys have announced they will release a deluxe digital edition of the group’s latest release, Going Out In Style, on November 21. The package will include a companion digital release, Live From Fenway, which was recorded during the band’s two sold out shows at the historic ballpark on September 8 and 9. An expanded physical version of the deluxe CD package will be released in March 2012. The track listing for the release is available below.  In addition, the band will release an HD concert film of the performance called “Live From Fenway” next year. The film will also be broadcast on an national cable network in 2012. Further details regarding both the film and broadcast will be announced at a later date.

Going Out In Style, the band’s seventh studio album, was released in March It debuted at #6 on the Billboard 200, the group’s highest chart debut to date.

Dropkick Murphys’ Live From Fenway digital release track listing:

Hang ‘Em High
Sunday Hardcore Matinee
Deeds Not Words
Going Out In Style
Broken Hymns
Peg O’ My Heart
The Irish Rover
Cruel
Climbing A Chair To Bed
Take ‘Em Down (acoustic)

Re-posted from BostonMusicSpotlight.com

Photo By Rory Flynn

Sam Adams to release Infinium again

Wednesday, November 16th, 2011

The Boston Beer Co. is getting ready to release its second batch of Infinium, a new style of beer it created jointly with the world’s oldest brewery.

Infinium is a champagne-like beer that Sam Adams brewer created with German brewer Weihenstephan, founded in 1040. (Here’s a piece I wrote about Infinium last year, when it was first introduced.) This year the beer has been dry hopped with Hallertau Sam Adams InfiniumMittelfrueh hops, which should give Infinium a more pronounced citrus character.

Sam Adams has invited the public to its Jamaica Plain brewery Thursday night for the first tasting of 2011 Infinium, but reservations for the event have already filled up. Even though the tasting is “sold out,” Sam Adams will begin selling the 750-milliliter bottles Thursday at the brewery at 30 Germania St. The price is $19.99. If you can wait, Infinium should begin showing up in stores next week.

I shared a bottle of Infinium with a few other beer lovers last Thanksgiving. I thought it was an interesting beer — a refined beverage that fell somewhere between a hoppy pilsner and a sparkling wine. It appealed more to the guests who preferred wine over beer, however. And at $20 a bottle, everyone agreed it was a bit too pricey, as beer goes.

By Steve Greenlee, Boston Globe – Steve can be reached at Greenlee@globe.com or Twitter @SteveGreenlee

Re-posted from Boston.com

Peter Wolf to open for Bob Seger in Worcester

Monday, November 14th, 2011

Bob Seger & The Silver Bullet Band announced this week that Peter Wolf has been added as a special guest for their November 29 performance at the DCU Center in Worcester. Fans can expect The J Geils Band frontman to hit the stage promptly at 7:30 p.m. Tickets for the show are now on sale through Ticketmaster for $73. Peter Wolf

Wolf, who recently wrapped a tour of his own, continues to tour in support of his latest solo album, Midnight Souvenirs. Released in April of 2010, the album is Wolf’s seventh solo studio effort and first since 2002′s Sleepless. Midnight Souvenirs was named Album of the Year at the 2010 Boston Music Awards. It features special guests Merle Haggard, Shelby Lynne and Neko Case.

After rocking the TD Garden earlier this year, Seger is back on the road this fall. In September, Capitol/EMI reissued Seger’s multi-platinum Live Bullet and Nine Tonight concert albums. Both albums were digitally remastered with exclusive bonus tracks. Meanwhile, the classic rock legend continues to work on forthcoming studio album. However, no release date for the untitled album has not been announced.

Re-posted from BostonMusicSpotlight.com

Top 5 Stout Beers

Friday, November 11th, 2011

A stout can be described as a dark, sometimes bitter beer. It’s made mostly of barley and varied types of malt. Many of the flavors are full-bodied, typically dry, sweet, coffee-flavored, chocolate or oatmeal brewed. It’s the kind of beer that’s best sipped, savored and enjoyed. Here are five of the best stouts beers that we most enjoy. Pint of Guinness


Gray’s Oatmeal Stout

A dark beer with a dark coffee/cocoa aroma, some say Gray’s Oatmeal is a bit too bitter for their taste. We happen to appreciate its sweet bitterness. Others, though, may not appreciate the bitterness, but that’s just more of a matter of personal taste. We, personally, love the taste.

Kiuchi Hitachino Nest Espresso Stout

This is a Japanese import beer, which is brewed with a coffee flavor—hence, the “Espresso Stout.” It’s a dark, black-bodied, bitter tasting stout teamed up with a creamy finish. If you like a chocolate, coffee-malted beer you’ll love this Espresso Stout.

Rogue Shakespeare Stout

The flavor and style is described as “ebony in color with a rich creamy head, earthy flavor and a mellow, chocolate finish.” It’s typically that chocolate finish that gives this beer its distinguished taste.

Minoh Beer Imperial Stout

The Minoh Beer Imperial Stout is a 3-time winner of the World Beer Awards 2010. It won for “World’s Best Stout & Porter,” “World’s Best Strong Stout,” and “Asia’s Best Strong Stout.” The taste is described as mixture of roasted malt and sweetness, with hop bitterness. How good is this beer? Allow the awards to speak to its winning flavor.

Guinness

The most popular stout beer in the game, Guinness really stands as the best among the bunch. Some consider it a starter stout, but it still holds on taste with its creamy, burnt flavor. It also has a distinct creamy head, which is a result of the beer being mixed with nitrogen when being poured; pretty wild stuff. Now, the only really discussion left is whether Guinness actually tastes better in Ireland than it does in the USA.

By Tom Lorenzo, Re-posted from ManCaveDailyBoston

Photo by Getty Images


Rap legend Heavy D of Heavy D and the Boyz leaves lasting final lyric: ‘BE INSPIRED!’

Wednesday, November 9th, 2011

LOS ANGELES — It was as if Heavy D knew that it would be his last tweet.

The self-proclaimed “overweight lover” of hip hop, who became one of rap’s top hit makers with his charming combination of humor and positivity, enthusiastically told his Twitter followers Tuesday morning to “BE INSPIRED!” Heavy D

He later collapsed outside his Beverly Hills home following a shopping trip, unable to breathe, before he was transported to a nearby hospital where he died. He was 44. Detectives found no signs of foul play and believe his death was medically related, said police Lt. Mark Rosen.

“BE INSPIRED!” was typical of the positive tweets Heavy D would send, and as his final tweet, it was fitting for the life that Heavy D lived.

The Jamaica-born rapper, who grew up in New York, became one of the genre’s most integral stars in the late 1980s and early 1990s, as it relied on new voices and star power to fuel its phenomenal growth in the mainstream. Heavy D and his crew — Heavy D and the Boyz — unabashedly burst onto the rap scene in 1987 with their debut album “Living Large.”

The deep-voiced rapper’s earliest hit, “The Overweight Lover’s in the House,” played up his hefty frame. But while that nickname would stick, his weight did not become his shtick like the Fat Boys. What drew people to his music was his singular style celebrating an easygoing, party vibe — sometimes humorous, sometimes inspiring and usually positive.

Combined with the fusion of the “New Jack Swing” musical style, Heavy D was a constant presence on the charts, and a go-to figure for several performers. He collaborated with Michael Jackson on the 1991 single “Jam,” rapped with a young Notorious B.I.G. in 1993 on “A Buncha N—–” and dueted with B.B. King on the 1997 tune “Keep It Coming.”

Heavy D, who was never afraid to bust a move or perform as a character, also found success on the screen. He created the theme songs for the sketch comedy shows “In Living Color” and “MADtv” and acted on such TV shows as “Boston Public,” ‘’The Tracy Morgan Show” and “Law & Order: SVU,” as well as in the films “Life,” ‘’Step Up” and most recently “Tower Heist.”

While switching between acting and performing in the late 1990s, Heavy D wasn’t as musically successful with his later Boyz-free albums. He attempted a reggae-fueled comeback in 2008 with the album “Vibes,” which didn’t contain any rapping, before he returned to his lyrical roots on his most recent effort, “Love Opus,” which was released in September.

A lighter Heavy D — coming in at apparently 135 pounds less than his former weight — returned to the stage for a pair of energetic performances last month. He delivered a medley of past hits at the 2011 BET Hip Hop Awards in Atlanta, and joined La Toya Jackson on stage for a rendition of “Jam” at the tribute concert for Michael Jackson in Cardiff, Wales.

The impact of Heavy D’s inspiration was omnipresent Tuesday among the hip-hop community on Twitter. His sudden death prompted “Law & Order” actor and rapper Ice T to remind everyone to “stop for a second, take a breath and realize how lucky you are to be alive,” while reminding MC Hammer that Heavy D was always “part of what’s good about the world.”

AP Music Writer Nekesa Mumbi Moody in Los Angeles and AP Writer Mesfin Fekadu in New York contributed to this report.

Re-posted from the WashingtonPost.com