Archive for the ‘Uncategorized’ Category

Boston Marathon Relief Mixtape

Monday, April 29th, 2013

Head over to the AP bandcamp to donate & DL.

The events that unfolded on Monday left us at a loss for reaction. There was no way we could spin the situation to make sense of it, and we knew we weren’t alone. As we searched for ways to possibly help, turning to the Boston music scene was a no brainer.

We posted a call for song donations on our Facebook page, and within a matter of minutes, our inbox was flooded with messages from musicians looking to help in any way. It was at this point that things came to perspective. We weren’t surprised in the least, but were overwhelmed by how much people love the hell out of this city. As if we needed any reminder at all, this was yet another example of how lucky we are to live in the most supportive music community that we’ve ever known. So from Allston Pudding to everyone who is a part of this (and there are many)—Thank you for being terrific souls.

The following compilation features 130 tracks from 130 different bands and artists. Boston is represented heavily, but it doesn’t stop there. Support came from all over New England, as well as various States throughout the Nation, from North Carolina to Illinois, to California. Multiple genres appear throughout the playlist as well, making it a diverse and a curious mix for any kind of listener. To all who donated a track, but it did not make it on to the mix, our deepest apologies, but we wanted to release this in a timely fashion and had to cut off donations after a certain time!

For a donation of $1 or more, you will be able to download all 130 of these songs (or download any individual track you would like if you prefer). 100% of the donations collected from this compilation will go directly to The One Fund Boston, to benefit the victims of the Marathon tragedy. If you make a donation of $10 or more in the next week, you will be entered to win an Allston Pudding sweatshirt.

Reposted from AllstonPudding.com

Beer Week Hits Bars Over St. Patrick’s Day

Thursday, March 14th, 2013

Last Friday began the kickoff of Boston Beer Week, a weeklong celebration of brews throughout the Greater Boston area. The annual event Boston Beer Weekhighlights the people, places, and events that showcase the best of Boston’s beer scene. Now in its fourth year, Boston Beer Week 2013 will feature over 100 events over the course of 10 days. Liquor stores, breweries, and restaurants all across the state will be holding events and social gatherings. From casual tastings to rowdy bar crawls, there’s something for everyone in the weeklong celebration.

The greater Boston area has around 40 breweries and hundreds of bars, eateries, and stores, all offering craft beer at varying levels. From breweries to pubs, and from restaurants to bottle shops, the city’s thriving beer market draws both foreign and domestic brewers looking to tap its diverse palate, making Boston a truly great place to grab a brew.

Beer is an integral part of Boston culture, no doubt about it. Boston has been named the Drunkest City in America two years running by The Daily Beast. With its many universities, thriving sports culture, and young population, Boston has always had a lively bar scene. Boston Beer Week started last Friday with a kickoff party at the Publick House in Brookline. There were several social gatherings over the weekend, such as the Massachusetts Brewer’s Guild Takeover in Plymouth and the “We Like it in the Can” Beer Festival at the Kukowski Tavern. There were also a variety of tastings at different breweries and bars. A highlight of the weekend was the kick off of the Boston Brew Tour’s Pub Crawl. The weeklong pub-crawl combines a tour of Boston with visits to breweries and drinks along the way.

Boston Beer Week culminates on St. Patrick’s Day weekend, with many of the most noteworthy events to finish off an exciting week. On Saturday, there are many tastings and social gatherings downtown. Asgard Irish Pub, The Tap, The Urban Grape, and the Dockside Restaurant are just a few of the many places hosting Beer Week festivities.

Boston Beer Week is a not-for-profit campaign and free service founded four years ago. It is hosted by Beer Advocate, a global network powered by an independent community of beer enthusiasts and industry professionals who are dedicated to supporting and promoting beer. Beer Advocate is based in Boston and was founded by brothers Jason and Todd Alstrom in 1996. Operating from their website, beeradvocate.com, they seek to “wake the masses to better beer options, give beer consumers a voice, rally to support the beer industry and put the respect back into beer.”

The  Alstrom brothers also publish a monthly beer magazine and organize many beer events throughout the year. Commenting on Boston Beer Week, Jason Alstrom  said, “It is simply about bringing awareness to the industry and the beer culture we have in the area by supporting local and other ‘craft’ brewers from other parts of the country. It is about Boston and what beer it has to offer.” Some Boston residents believe that the plethora of options and events dilutes the Boston beer culture. Jason believes the contrary, “that the quality of beer will have to elevate as more and more competition is seen.”

The Alstrom brothers are an example of the thriving bar culture in Boston. This culture is recognized and appreciated by many. Many people, residents, and visitors alike, will be tasting beers that they’ve never tried before as well as returning to their old favorites this week.

“I’ve walked past popular bars with lines and covers and spent the last two St. Patrick’s Days in offbeat Southie Irish bars within walking distance of my house,” said Boston.com writer Gary Dzen, “I’ve returned to these places with friends on a quiet weeknight. There is genuine, neighborhood bar culture in Boston that should not be dismissed.” The extensiveness and richness of Boston Beer Week ensures that there is something for everyone.

By Shannon Inglesby, Re-posted from BCHeights.com

Fresh North Shore rstaurants to explore in 2013

Monday, January 7th, 2013

As we enter 2013, things are hopping on the North Shore restaurant scene. Some of the biggest changes are taking place in Beverly, a town often overlooked by local foodies.

Barrel House American Bar (252 Cabot St.) has taken over the former Mandrake space with a terrific mix of craft cocktails and bistro food.

We visited shortly after it opened and can attest to chef Patrick Shea’s creativity and Sean Maher’s deft pouring hand. Shea met Maher (managing partner) at Eastern Standard, and the two have outdone themselves on this venture, which is backed by Soma’s Nik Paras and Anesti Lazarides.

The sidecars are perfectly balanced, the poutine is a must-try, the scallops were perfectly cooked and extremely fresh, the burger was juicy and flavorful, and the “twinkee” dessert (a concoction of white cake, Nutella, and ice cream with a pretzel coating) was strange, but satisfying. We loved the attention to detail, from the breadsticks with ­herbed yogurt dip to the house-made sparkling water and sharp-edged ice cubes.

A few blocks away, EJ Cabots (282 Cabot St.) occupies the former Tryst space, renovated to give it a tavern feel. The décor features local artists, the food is eclectic comfort, the chalkboard specials change nightly, and the Sunday brunch features a Bloody Mary bar with bacon and Slim Jim mix-ins. Co-owners Joe Deisley (formerly of Brodie’s Pub in Peabody) and Emilie Grant tell us the place has been busy since its August opening.

We have not made it there yet, but we are hearing raves about Prides Osteria (240 Rantoul St.), owned by Michael Magner of Prides Pizza in Beverly Farms. The kitchen is run by Paolo Laboa, who spent six years with San Francisco’s Farina Restaurant Group and whose pesto won the World Pesto Championship in Genoa, Italy, in 2008.

The Beverly osteria is in the former Harry’s 240 space and features a farm-to-table approach with a menu that changes nightly and features house-made pasta and desserts, along with creative antipasti, thin-crust pizza, and entrees made from organic meats.

In Newburyport, the popular Ceia Kitchen & Bar (38 State St.) is moving to new digs. Chef Patrick Soucy, who was invited to cook at the James Beard House in December, will prepare his coastal European cuisine in the three-story building recently vacated by Rockfish. Owner Nancy Batista-Caswell tells us the décor in the 144-seat space will include a copper-top bar and dining on the first floor, an open kitchen and 14-person chef’s table on the second floor, and an intimate bar on the third floor, along with lounge seating.

Batista-Caswell is working on a different concept in Ceia’s original space, featuring crudo-style seafood from chef Corey Marcoux, most recently of the Gallows in Boston. After a complete remodel that includes installing a marble bar, Brine Oyster Bar (25 State St.) will open in February with live oyster shucking, prime meats in creative surf-and-turf dishes, Italian and French wines by the glass, and craft beers.

In Salem, we were excited to discover the Jean-Louis Pasta Shop (84 Derby St.), just opened by Jean-Louis Faber and his partner, Connie Rosen, a few blocks from the House of the Seven Gables. Featuring ravioli of unusual size, dried pastas, all-natural wine­- ­flavored sauces from Vino de Milo, and a line of infused oils, this place is worth seeking out. The pasta is handmade by ­Faber in the shop and can be purchased frozen for $5 to $15 per bag of 10 (each bag easily feeds two people).

We tried the artichoke/provolone and the smoked mozzarella and will be back for more — rich fillings and gorgeous, toothsome pasta in unusual shapes. Faber told us regulars are stopping in for once-a-day fresh pasta (around 5 p.m.), and he plans to sell country bread with roasted garlic and French-style sandwiches within a few months.

We cannot wait to try Gloucester’s newest offering, Ohana (151 Main St.), which opened in May and won North Shore magazine’s award for best new restaurant. Chef/owner Enx Dadulas is cooking up Hawaiian fusion cuisine such as teriyaki-glazed bacon-wrapped duck roulade and misoyaki marinated butterfish.

Dadulas grew up with Hawaii’s Asian-influenced cuisine, but studied French and Italian techniques and cooked for Boston’s Barbara Lynch. He said the restaurant has been very well received, especially with its penchant for treating customers like family (“ohana’’ is Hawaiian for family). Many customers come back for pastry chef Michelle Hughes’s creations, and Dadulas is responding to requests for more sushi by adding another 15 offerings in the new year.

Here are a few of the other venues we’re looking forward to exploring this winter: Salt Kitchen & Rum Bar (1 Market St.) opens in Ipswich in February (an interesting-looking gastropub); Beverly’s Wild Horse (392 Cabot St.) reopens this month, run by two former employees of Hamilton’s 15 Walnut; Marblehead’s 5 Corners Kitchen (2 School St.) is busy every night after its renovation, but may soon have competition from Palmers (a new outpost of the Andover establishment going into the Warwick Place development); Dinis (135 Washington St.) and Scosso (North Shore Mall) are serving up Portuguese and Italian fare, respectively, in Peabody; and Hamilton’s Black Cow (16 Bay Road) has finally reopened after renovations.

By Jill Rose and Kristen Nyberg- Northshoredish.com, Re-posted from Boston.com

The burgeoning Burlington restaurant business

Friday, January 4th, 2013

According to the Jim Murphy, President/CEO of the Burlington Massachusetts Area Chamber of Commerce, Burlington is a place to live, work, and play, and many high tech companies such as SAP AG and Burlington’s 2nd largest employer, Oracle, have set up locations. Burlington should see more growth in the coming years as Keurig recently leased a large space for administration and R&D, with the potential for adding up to 400 new jobs. The Burlington area, with its diverse mix of businesses, executive parks, and residents that may not want to travel to Boston for an upscale dining experience, is very well positioned for a growing number of restaurants. Tavern in the Square recently opened a Burlington location, Bobby Flay has plans to open a Burger Palace, and more restaurants are on the way to accommodate the area’s recent boom.

Columbus Hospitality Group, which includes restaurants such as Mistral and Sorellina in its portfolio, decided to capitalize on Burlington’s expansion several years ago after careful market research and opened its Tuscan-themed restaurant, L’Andana, a Chef Jamie Mammano restaurant.

I spoke with L’Andana’s manager, Alex Hage, and manager at Columbus Hospitality Group, Mark D’Alessandro, whom provided insight into the dynamics around locating and operating a restaurant in Burlington.

Why did Columbus Hospitality Group decide to expand outside of Boston and open a restaurant in Burlington?

The Columbus Hospitality Group wanted to expand its operations to reach a broader client base. Burlington is a hot area – it has really been transformed over the past 7 to 8 years as a hub for technology companies. We wanted to capture both the clientele that lives in the suburbs and the business people that work in the area, including the senior-level executives that fly into Hanscom Airfield on private jets. Lots of business dinners take place at L’Andana Monday through Thursday, and the residents in the area generally dine at the restaurant on weekends.

The location is accessible to Routes 3, 95/128, 93, and the Mass Pike, and as an added bonus, we have a private parking lot and offer complimentary parking and valet service.

L'Andana'sL’Andana’s Dining room

What dynamics were involved in planning the restaurant’s construction and design?

We went with a farm to table theme and designed the restaurant with rustic modern Tuscan farmhouse décor. The restaurant’s interior is constructed with restored barn wood and has chandeliers made from old wine barrels, modern animal print chairs, plants and olive trees, and apples or lemons depending on the season.

We wanted to offer a variety of dining options from our large bar and lounge area and the main dining room that seats over 150 guests, to our private dining and event space that many individuals and businesses take advantage of. We also offer an al fresco dining option during the warm weather seasons.

What sets you apart from other restaurants?

We cook with a wood grill – it is distinctive from restaurants found in the city due to the nature of the exhaust system. Menu offerings include wood-grilled meats, dry-aged beef, which we age in-house, and fish our chef hand selects at the pier every morning from our wholesale fish company. This allows us to get the best selection of fresh fish on a timely basis.

L'Andana's GardenWe use fresh herbs and vegetables grown seasonally in L’Andana’s private garden behind the restaurant. Our beverages are made with house-made syrups and herbs from our garden. Everything is infused in-house.

L’Andana has four sister restaurants located in Boston, and that gives us stronger buying power. We leverage our buying power to get the best products in the country for the best price while maintaining quality without raising our prices. Margins are so small in the restaurant business, so it is very beneficial to build buying power. L’Andana employs a corporate purchasing manager, whose job is to negotiate pricing for the volume of products we buy. Of course, continued relationship building with distributors is very important for negotiations to be effective. We always focus on long-term relationships.

By Ellen Keiley, Re-posted from Boston.com

How to Get Around on New Year’s Eve: Free MBTA, Road Closures and More

Monday, December 31st, 2012

 

We’ve suggested 32 ideas for celebrating New Year’s Eve in Boston (see here, here & here), plus a complete guide to First Night, so we hope by now you’ve locked down your evening plans. After that’s all settled, it’s now time to coordinate your transportation for New Year’s Eve in Boston. Should you take the MBTA? Should you drive? Should you avoid both and just walk? Below you’ll find everything you need to know about riding the MBTA on New Year’s Eve (it’s free!), as well as road closures and parking information throughout the city. Happy 2013!

 

 

Taking the T

If you don’t have to drive, the MBTA is the way to go tonight. The system will be running on a “modified weekday schedule,” and additional trains will be added during rush hour service beginning at 2 p.m.

What’s more, the MBTA is offering free service after 8 p.m. tonight, and the Blue, Orange, Green and Red Line trains are running extended hours until 2 a.m. Yes, you read that correctly: free service from 8 p.m. until 2 a.m.!

Additionally, the commuter rail will run on a modified weekday schedule with extended services on some lines tonight. Click here for the full MBTA New Year’s Eve schedule.

Taxis

Plan on being out past  2 a.m.? There are a slew of taxi services to help you get home that don’t involve waving your hand in the air like a fool in the bitter cold. Download these apps to shuttle you around on New Year’s Eve.

Uber – Free – Described as “everyone’s private driver,” Uber offers on-demand car service at the click of a button. Simply input your credit card info into the app, and you’ll be riding in style to and from your New Year’s Eve bash. Be warned: Uber rates go up during peak hours, such as New Year’s Eve, so rides may get costly.

Pingup – Free – The Boston-based app allows customers to communicate with local businesses via text. Pingup has a relationship with more than 500 taxis in Boston, all of which will be giving priority to people who use Pingup to hail a cab on New Year’s Eve. Users can text their request, and dispatch will notify them through Pingup when their cab has arrived.

Hailo – Free – Similarly, Hailo is a taxi app that lets users hail taxis without ever raising a hand. The app picks up on your location, and you just click a button, alerting a taxi driver to come pick you up there.

Driving

If you do insist on driving on New Year’s Eve, below you’ll find a full schedule of traffic detours, parking restrictions and tow zones. Remember, don’t drink and drive!

Traffic detours will be in place due to the following street closures.

Boylston Street, from Dalton Street to Charles Street, will be closed to vehicular traffic from 4 PM to 8 PM.
Charles Street, from Boylston Street to Beacon Street, will be closed to vehicular traffic from 5 PM to 8 PM.

Temporary parking restrictions are outlined below.

“Tow Zone No Stopping Boston Police Special Event, Saturday Through Tuesday” signs will be posted at the following locations.

Boylston Street, South side (Copley Square side), from opposite #585 to opposite #575.
Blagden Street, North side (Library side), near Dartmouth Street.

“Tow Zone No Stopping Monday” signs will be posted at the following locations.

Arlington Street, Both sides, from Beacon Street to Boylston Street

Atlantic Avenue, East side, from East India Row to Commercial Street; West side, from Commercial Wharf to Cross Street

Beacon Street, South side (Public Garden side), from Charles Street to Arlington Street; Both sides, from Charles Street to Walnut Street

Berkeley Street, Both sides, from Boylston Street to Newbury Street

Boylston Street, Both sides, from Dalton Street to Arlington Street (excluding the area on Boylston Street requested above); North side (Public Garden side), from Arlington Street toCharles Street; Both sides, from Charles Street to Tremont Street

Cambridge Street, Both sides, from Court Street to Sudbury Street

Central Street, Both sides, from Old Atlantic Avenue to the Dead End

Charles Street, West side (Public Garden side) from Boylston Street to Beacon Street

Clarendon Street,  Both sides, from Newbury Street to Boylston Street

Court Street, Both sides, from Washington Street to Cambridge Street

Cross Street, Both sides, from Atlantic Avenue to Hanover Street

Dartmouth Street, Both sides, from Boylston Street to Newbury Street

Exeter Street, Both sides, from Newbury Street to Boylston Street

Fairfield Street, Both sides, from Boylston Street to Newbury Street

Gloucester Street,  Both sides, from Newbury Street to Boylston Street

Hereford Street, Both sides, from Boylston Street to Newbury Street

Milk Street, Both sides, from J.F.F. Surface Road to Old Atlantic Avenue

Old Atlantic Avenue, Both sides, from Milk Street to State Street

Surface Road, Both sides, from Sudbury Street to State Street

By Lisa DeCanio, Re-posted from BostonInno.com

URO Blows the Roof Off the Regent

Wednesday, December 26th, 2012

 

The Ultrasonic Rock Orchestra at the Regent Theatre, 7 Medford Street, Arlington, MA December 22nd. Shows added for Saturday December 29th and New Years Eve. www.regenttheatre.com/

One of the crummy things about getting older is that you tend to get a little jaded and fall into the “been there, done that” mindset. But one of the good things about getting older (assuming that you actually grow up) is that you find out that being wrong can be a good – even great – thing, especially when you go into an event with lowered expectations and end up getting blown away. Such was the case at the Regent Theater in Arlington on Saturday night when I went to see the Ultrasonic Rock Orchestra, a classic rock tribute band that features 10 (you read that right) singers – plus guitars, keyboards, bass and drums. And URO reminded me why The Who, David Bowie, The Beatles, Led Zeppelin, and Queen (with a little Hendrix thrown in) have earned their lofty status as CLASSIC rock bands. And instead of playing note-for-note versions of hits from these iconic artists, the URO dug deep into the band’s catalogs and infused the old chestnuts with new life.

URO’s Rock and Roll Extravaganza is kind of the anti-thesis of WZLX, the Boston “classic hits” radio station that keeps playing the same four or five hits by major rock acts until you don’t care if you ever hear them again. URO started off with a pretty good treatment of “Baba O’Reilly” by the Who, and I thought to myself, “This isn’t so bad.” And then they just went off, ripping into faithful but imaginative versions of Led Zeppelin’s “Misty Mountain Top”, Queen’s “Killer Queen” and the Beatles “Paperback Writer” – which made me remember that the boys from Liverpool were originally a ROCK band before George Martin, LSD and the Maharishi catapulted them into a completely different brand of genius. Every one of these tunes was infused with a new energy provided by the stellar vocal arrangements and delivery of the group.

One of the elements that makes this band so much fun to watch (above their prodigious talent and the rock babe factor) is the way they shuffle in a new singer or singers for each number. There are five female singers (some with stripper-sequel names) and three male singers. And most of the singers play instruments as well, led by co-founder of the group Dr. Defiance (who looks a little like Dr. Evil from the “Austin Powers” series) who plays guitar, sings and is the ringmaster of this three ring rock circus. The leads are sung interchangeably by the male singers, including guitarist Deagan, and three of the women – Elektra, Roxy and the marvelous Alice Marvel. Marvel’s enthusiasm for the material was infectious as she seductively gyrated her way through the two sets with a smile as wide as a rich kid’s on Christmas. The rest of the band was equally joyous in their delivery – and you can tell they really enjoy what they’re doing.

The band was really impressive ripping through hi-powered rock blasters like the Beatles’ “Helter Skelter,” Queen’s “Tie Your Mother Down” and “Who Are You” by the Who (plus a blistering version of Hendrix’ “Cross Town Traffic”), but they were even more awe-inspiring with the more intricate and complex numbers like the Beatles “”Dear Prudence” and Golden Slumbers/Carry That Weight/ The End and their brilliant rendition of “Bohemian Rhapsody.” URO also tripped up (and delighted) the audience with an obscure seven-and-a-half minute medley of “A Quick One While He’s Away” by The Who.

According to Dr. Defiance, what I saw on Saturday night included only half of the material from the previous week’s show, and the performance will change again on the 29th and on the New Year’s Eve Extravaganza. This show is a rock n’ roll lover’s wet dream, and if you never got to see any of the original bands at the height of their powers, this is a great substitute.

For more, see www.regenttheatre.com/.

By Mike Hoban, Re-posted from BostonEventInsider.com

The Whiskey Barrier or, “How I learned to stop worrying and love the dram”

Friday, December 21st, 2012

Whiskey Barrier“I hate happiness,” said one.

“I wish my life was worse,” said another.

“The very concept of distilled warmth and wisdom repels me,” said a third.

Real people told me all these things. What they actually said was “I don’t like whiskey” but it’s pretty much the same thing. Whiskey offers a range of locations and experiences which make wine look like a morgue elevator, but millions insist that they just don’t like it.

And they’re not stupid.

The problem is the whiskey barrier. Someone who thinks they won’t like whiskey won’t. It’s the most self-fulfilling prophecy since “I will never put the pin back in this grenade I’m holding!” and even more painful. We’re not talking about some silly psychosomatic sensation, or an attitude to taste. This problem has the same cause as ketchup stains and oven fires: sheer carelessness. The would-be whiskey drinker tries the first cheap thing they find. And because they’re not a tractor engine in need of degreasing, cheap whiskey doesn’t help them. It stabs them in the senses, and they struggle through the rest of their life thinking whiskey is “old man grimace-face juice” because their first sip felt like biting a battery.

Most cheap whiskeys only work in cocktails, mixed with either alcoholic ingredients or a lifetime of memories the drinker wants to forget as quickly as possible. Either way, they’re not in it for the taste. But forsaking whiskey from this first taste is like swearing celibacy because you caught skin in your zip the first time you tried to take off your pants. You’re overreacting, and the pain was your fault in the first place.

So where should you start?

Whiskeys distill national character, and turn people into hilarious stereotypes, and Ireland and Canada are brilliant in both. They’re both extremely friendly, the Irish are more famous for the drink and the Canadians don’t get aggressive. Scotch, meanwhile, is incredibly characterful, but the beginner shouldn’t walk into a drinking establishment and shout “Come on, Scotch, hit me in the mouth.”
Redbreast Whiskey
My best bet for beginners is the Irish Redbreast 12 with a drop of water. This is essential. The water has two important functions:
1. It opens up the drink, removing the harsh edge of the neat
2. It teaches beginners that it’s okay to add water to whiskey.

Too many wannabe-whiskologists bring bons mots instead of wisdom. “The distiller spent twelve years getting the water out of that, and you want to put it back!” sounds smart until you realize he thinks distillation means dehydration. Watering whiskey helps you appreciate the tastes, and over time you can reduce the amount added. Even the Glenfiddich global brand ambassador adds a few drops to his daily dram. It’s not the mark of an amateur, it’s a matter of taste.

 

 

 

 

Whiskey & iceWhiskeys are the Norse Gods of liquor: incredibly powerful incarnations of natural forces, enabling feats of heroism and idiocy, and they hate the frost giants. Ice is the true enemy of whiskey. Extra cold beers try to replace taste with temperature, because it’s much easier to make a tongue cold than it is to make something that tastes good. Whiskey should be held in the hand to warm, and just like the drinker, both get better and reveal more of their true characters as the night heats up. Freezing is how you tell a whiskey it waited 12 years to be wasted.

You might as well have pissed in it. Except that would be warm, and add more flavor.

Tullamore Dew

 

Another Irish starting point is Tullamore Dew, an incredibly mellow fellow with warm buttery spices, with just enough of that alcohol edge to train up Padawans of true taste. And since the edge can be instantly removed with a little water, even a beginner will never waste any.

 

 

Makers Mark WhiskeyFor Canadian beginners, many have found their way into the world of whiskey with Crown Royal and water (or the famous Crown and coke.) Just be warned that Crown Royal is the whiskey equivalent of stabilizer wheels: they’ll help you get started, and are a lot of fun, but when you get better you won’t look back. Moving on, the bourbon beginners should then try Maker’s Mark, which is less an alcohol than a bottle of pure liquid warmth. In fact, I’d skip straight from the Irish to Maker’s, but that’s because I’m an Irishman who drinks Maker’s. Which means I’m biased and incredibly happy.

As for scotch; there is no beginner mode. Only a world of adventure. (Though Glenfiddich 12 is the best selling single malt whiskey in the world for a reason, and the range of increasing ages provides a handy way to level up when you want to try something new.) Just like anyone adventuring into the rocky mountains with nothing but a bottle of potion and your own courage, there are many monsters and wonderful treasures to be discovered. Go forth, bold hero, and enjoy. And if you happen to climb the burning peat mountain of Laphroaig Quarter Cask, we can share a dram.

By Luke McKinney, Re-posted from MancaveDaily.com

Slutcracker shows at Somerville Theatre until the end of the year

Wednesday, December 12th, 2012

The Slutcracker: A Burlesque, which is showing at the Somerville Theatre until the end of the year, provides a fantastical escape into a The Slutcrackerholiday-themed celebration of sexuality, humor and creativity.

Vanessa “Surgar Dish” White, the show’s creator, produced The Slutcracker in an effort to combine her classical dance training with the intensity of burlesque. White said that while she loved the freedom of burlesque, she missed the discipline of ballet.

“I loved that burlesque allows you to be whoever you want,” she said. “It allows for every sort of body type, size, and look.” Five years ago, White flipped through a calendar and brainstormed show ideas. She came to December and giggled when the word “slutcracker” popped into her head. With that, and a little urging from her husband, a show was born.

Performed to sold-out audiences since 2008, the show is a scene-by-scene retelling of the Tchaikovsky classic. Rather than receiving a nutcracker doll, the protagonist—a twenty-something woman named Clara—receives a different “toy” that transforms her suburban, status quo life into one of sexual fantasy and adventure. With its newly recorded musical score—performed by conductor Mikel Toms and the Brno Philharmonic Orchestra—the show has hit a new milestone, according to John Wentworth, a producer, crewmember and White’s husband.

“[The show] is not finished, because it will keep evolving, but it is complete,” Wentworth said. Both Wentworth and White said that looking back, they are amazed at how far the production has come.

The first cast was comprised of White’s burlesque troop, Babes in Boinkland, and a few other individuals. Now, the show has become more than just a burlesque, but also a place that connects multiple members of the dance community. The show incorporates a variety of dance styles, including Broadway-style jazz, hip-hop, ballet, belly dancing, tango and pole dancing. The show now includes such troops as Black Cat Burlesque, Boston Hoop Troop and Rogue Burlesque.

“Before, there were pockets of things happening around the city. But now, many of us that wouldn’t have collaborated before are working together all the time. It involves the dance community at large, not just us underground burlesque freaks,” White said. During each of the last two years, about 70 people auditioned specifically for roles in The Slutcracker.

During its five-year lifetime, the show has received roars of both approval and disdain from the public. While the increasing number of shows never seems to be enough—the number of performances grew from six with a single cast in 2008 to 18 with a double cast in 2012—the cast and crew are still facing obstacles in putting on the production.

The first year The Slutcracker was performed in Somerville, the theatre insisted the performance be advertised as “The Whatcracker” on the marquee, according to White. She said some members of the cast have lost their jobs because they were associated with the performance, and that White herself has been accused of destroying Christmas.

Julia Van Daam, of Alpha Girl Films, has documented the highs and lows of The Slutcracker’s growth into what Boston Magazine deemed “the latest, greatest holiday tradition.” Van Daam’s documentary, Slutcracker Dreams, highlights more than the production’s racy elements. Her documentary also addresses issues of sexuality, body image and empowerment.

“I think that the show has kind of re-taken the word ‘slut’ and is working to transform it into something else that is not a derogatory term,” Van Daam said. “I’ve never seen so many different types of men and women on stage feeling so empowered, secured and happy in their bodies. That in itself is a wonderful message to be giving people in this society.”

Robyn “Femme Brulee” Giragosian, a member of the cast and the graphic designer for The Slutcracker’s printed materials, said the show is more than just a show to the people involved.

“It really brought together all these different people; it’s a big network,” she said. “We love The Slutcracker. It changed my life.”

As The Slutcracker continues to grow, White said that she thinks everyone should see the show. She said in terms of the production, she identifies with an Ani Difranco song called “Freakshow”:

Life in the circus ain’t easy,
But the folks on the outside don’t know.
The tent goes up and the tent comes down
And all that they see is the show.

“The crowd comes in and sees this amazing thing, but they have no ideas what goes into it,” White said. “The amount of work and dedication and blood, sweat and tears that goes into this show . . . it’s a total DIY. It’s a band of merry misfits that comes together.”

Slutcracker Dreams, the documentary, will be released to the festival circuit in Fall 2013.

By Samantha Laine, Town Correspondent- Re-posted from Boston.com

7 Delicious Holiday Beers

Monday, December 10th, 2012

Come wintertime, food and drink get a bit spicier and a lot heavier. Beer is no exception, and between the cloves, the cinnamon and the hops, a good winter brew will warm you up and put you in the holiday spirit after just a few sips. Try any (or all) of these seven delicious holiday beers.

Lagunitas Sucks Holiday Ale
Don’t let the self-deprecation turn you off—this beer from California-based Lagunitas Brewing Company is a world-class IPA in a Santa hat. Citrus undertones and a piney scent sit under a heavy and lingering head that looks something like a fresh snowfall on a frozen pond of beer.

 

 

 

 

 

Guinness Generous Ale
A straight-forward ale with malty tones and a thick head. Pour it in a glass, drink it and be merry.

 

 

 

 

Rogue Santa’s Private Reserve
Santa doesn’t screw around, and his private reserve is testament to that fact. This bitter drink is every bit as Rogue as the hop-heavy concoctions we’ve come to love from this brewery.

 

 

 

Three Floyds Alpha Klaus
This robust porter with roasted malt aromas will leave the taste of dark chocolate and coffee in your mouth. And joy in your heart, of course.

 

 

 

 

Anchor Christmas Ale
Dark and aromatic, Anchor’s holiday brew pours thick and yields a tall head. A sip brings a medley of tastes, with hints of orange, fig, burnt malt and winter spices.

 

 

 

 

Port Brewing Santa’s Little Helper
Santa’s Little Helper tastes the way it looks: like a creamy dark chocolate infused with coffee. It’ll leave you feeling warm and satisfied long after you’ve moved on to the eggnog.

 

 

 

 

Sierra Nevada Celebration Ale
Sierra Nevada’s annual winter ale sports a brilliant amber hue topped with a long-lasting head and infused with a powerful serving of hops. The peppery aftertaste is a nice counterpoint to the bitterness, and the beer happens to look fantastic when placed in front of a roaring fire.

 

 

 

By Reza Farazmand, Re-posted from MadeMan.com

“It’s a Wonderful Life” steps on stage

Tuesday, December 4th, 2012

It's a Wonderful Life

STONEHAM — The trick to any stage version of the holiday classic “It’s a Wonderful Life” is to present the world of Bedford Falls and its citizens in a way that respects audiences’ memories of the 1946 film.

At the Stoneham Theatre, director Caitlin Lowans and adapter Weylin Symes understand that. Symes’s script hews closely to the screenplay, written by the Pulitzer Prize-winning dramatists Frances Goodrich and Albert Hackett with the movie’s director, Frank Capra. In fact, the bulk of Symes’s work is judicious editing; the play clocks in about 20 minutes shorter than the film. The only major change he and Lowans make is turning nasty old Mr. Potter into Mrs. Potter, and while that seems like an odd choice, Bobbie Steinbach is such an impressive chameleon that it isn’t too distracting. Stoneham’s “It’s a Wonderful Life” is accomplished, but never inspired.

The hero of the tale is George Bailey, played by James Stewart in the film and Mark Linehan at Stoneham. A good man from a small town called Bedford Falls, he finds all his work threatened by a greedy businessman named Potter. When, in desperation, George decides he’s worth more dead than alive, an angel is sent to dissuade him from suicide, helping him realize how much he’s done for the people around him. Although the film is more than six decades old, the juxtaposition of unsympathetic finance types with average folks just struggling to get by feels quite contemporary. The screenplay is peopled with characters grounded in reality, even with a theme as broad as good versus evil.

At Stoneham, scenic designer Jenna McFarland Lord has done a terrific job fitting all of Bedford Falls onstage, cleverly using a folding door frame and a few simple set pieces to delineate different locations. The symbolic bridge, from which George considers jumping, looms over everything. Costume designer Gail Astrid Buckley does wonders with the period costumes, adding all the right accessories to make sure everyone blends together.
Linehan, as George, and Erin Brehm, as his wife, Mary, are striking stand-ins for the memorable Stewart and Donna Reed. Linehan, like Stewart, is tall and lanky, and he mimics many of Stewart’s mannerisms. Brehm delivers all Mary’s warmth and determination, without ever making her too cloying.

William Gardiner is a sweet and charming Clarence, the guardian angel assigned to George. In a nice touch, Gardiner doubles as George’s father. The children who play little George and Mary Bailey (Max Roberts and Heather Buccini) are quite strong, and Lowans has created a unified supporting cast for a believable group of townspeople.

Lowans keeps the proceedings moving swiftly, almost too swiftly: The production begins to feel like highlights from the film strung together, rather than a story with some dramatic tension. But perhaps that’s just a response from someone too familiar with the film. This production is a pleasant reenactment of it, with a fitting holiday message.

By Terry Byrne, Re-Posted from BostonGlobe.com