Posts Tagged ‘Music’

Last Best Show: Any Wednesday at the Lizard Lounge

Monday, May 13th, 2013

We don’t have road houses around here. We have the Lizard Lounge.

But transplant any of the four guitarists at last night’s Lizard show to any honky tonk outside Nashville (or Austin or Biloxi) and they’d crush the competition. No disrespect to the fine Southern swamp rock bands, but our guys are better.

Go next Wednesday and tell me I’m wrong. Or just take a look at the players’ pedigrees.

As a relative newbie to the Lizard scene and the dedicated Cambridge cats, I had trouble connected the dots during last night’s sets by Laurie Sargent and Dennis Brennan. I know I’ve missed a dozen, but here are the acts Sargent, Brennan and Denns Brennantheir band members have played with: Bob Dylan, the J. Geils Band, Peter Wolf, Buffalo Tom, Bill Janovitz, Warren Zanes, Face to Face, Morphine, Treat Her Right, Twinemen, Session Americana, Club d’Elf and Lori McKenna.

Opening the night Sargent and friends debuted a few songs from upcoming solo album “Little Dipper and the Shooting Star.” Sargent joked they were just rehearsing in front of us, but the looseness of the set is what made it so choice.

Behind her, Stu Kimball (10 years and counting on the road with Dylan) and David Champagne (Treat Her Right) traded wicked licks for an hour. The band hit the peak with new one “Maids at the Mountain View” — a bluegrass-meets-Zeppelin epic straight out of Montana’s misty mountains.

Up top was Dennis Brennan and band. An absurdly great frontman, Brennan combines the swagger of Peter Wolf and the hair of Tom Waits (don’t ever, ever underestimate Waits’ hair!). The singer’s best moment came when he invited Sargent on to the rug to help him out on gem “Brokenhearted I Will Wonder” — a Saturday night boozer and Sunday spiritual in one.

An ace songwriter, Brennan has the smarts to know when to keep a tune tight and when to get out of the way and let his band wail. If you’re a fan of great guitar tag teams — Keef & Ronnie, Duane & Dickey — you’d be crushed by Duke Levine (Wolf’s go to guy) and Kevin Barry (session ace and Berklee prof). I got deliciously lost in their back and forth on “Youngstown.”

You know you don’t have plans for Wednesday. Or the Wednesday after that. Go to the Lizard, it’s closer than Nashville and cheaper than the Stones.

Bonus points: Nobody rides the ride like Billy Beard.

 

By Jed Gottlieb, Re-posted from BostonHerald.com

Boston Marathon Relief Mixtape

Monday, April 29th, 2013

Head over to the AP bandcamp to donate & DL.

The events that unfolded on Monday left us at a loss for reaction. There was no way we could spin the situation to make sense of it, and we knew we weren’t alone. As we searched for ways to possibly help, turning to the Boston music scene was a no brainer.

We posted a call for song donations on our Facebook page, and within a matter of minutes, our inbox was flooded with messages from musicians looking to help in any way. It was at this point that things came to perspective. We weren’t surprised in the least, but were overwhelmed by how much people love the hell out of this city. As if we needed any reminder at all, this was yet another example of how lucky we are to live in the most supportive music community that we’ve ever known. So from Allston Pudding to everyone who is a part of this (and there are many)—Thank you for being terrific souls.

The following compilation features 130 tracks from 130 different bands and artists. Boston is represented heavily, but it doesn’t stop there. Support came from all over New England, as well as various States throughout the Nation, from North Carolina to Illinois, to California. Multiple genres appear throughout the playlist as well, making it a diverse and a curious mix for any kind of listener. To all who donated a track, but it did not make it on to the mix, our deepest apologies, but we wanted to release this in a timely fashion and had to cut off donations after a certain time!

For a donation of $1 or more, you will be able to download all 130 of these songs (or download any individual track you would like if you prefer). 100% of the donations collected from this compilation will go directly to The One Fund Boston, to benefit the victims of the Marathon tragedy. If you make a donation of $10 or more in the next week, you will be entered to win an Allston Pudding sweatshirt.

Reposted from AllstonPudding.com

Boston’s Rock and Blues Concert Cruises feature Ska, Dance music and so much more

Tuesday, April 2nd, 2013

Warmer days are on their way and it is never too early to think about the next cruise! The Summer Rock and Blues Concert Cruise on the Boston Harbor already announced some of the talented acts that will be performing this summer and tickets are on sale now!

Cruisers will board the beautiful ship, the Provincetown II, at the World Trade Center Pier at 200 Seaport Boulevard in Boston, Massachusetts. Each cruise offers a cash bar and a selection of food concessions on board. Visit www.rockandbluescruise.com and continue to visit this site as new acts are added!

The Rock and Blues Concert Cruise is proud to present a night dedicated to Ska fans everywhere! “Ska in the Harbor” will be held on Sunday, June 16 with Ska bands ‘Westbound Train’ and ‘The Toasters.’ Boston-based Ska and Reggae band, ‘Westbound Train’ have been together for over a decade. Their latest CD is called, ‘Come and Get It.’

Established in New York City, The Toasters have been together for over 30 years and one of the longest running ska bands in music history! They have a library of album releases including ‘The Ska Box,’ ‘Don’t Let the Bastards Grind You Down,’ and ‘Two Tone Army.’ Kick off the summer with these two amazing acts on Sunday, June 16 at 3 p.m.

The Ryan Montbleau Band will set sail on Saturday, June 22! The Ryan Montbleau’s band’s new CD is called, ‘For Higher,’ and contains remarkable cuts on the CD such as ‘Deadset’ and ‘Head above Water.’ To learn more about the Ryan Montbleau Band, visit www.ryanmontbleauband.com.

Boston’s funk and disco band, Booty Vortex will get the party started with their irresistible dance music on Friday, July 5! To learn more about this energetic 12-piece blast from the past, visit www.bootyvortex.com.

Connecticut-based electric rock band Max Creek, a group who have performed together for over 40 years, features John Rider on electric bass, Scott Murawski on guitar, Mark Mercier on keyboards, Bill Carbone on drums, and Jamemurrell Stanley on percussion. They are currently working on a box set called ‘Maxology.’ Learn more about them on www.maxcreek.com. They will perform in the heat of summer along with Viral Sound on Sunday, August 25.

Five-piece elektro-funk band Viral Sound and Max Creek both made appearances at Costa Rica’s Jungle Jam earlier this year, a three day concert weekend that featured some of the best New England talent. Opening for Max Creek is Viral Sound, a rock and roll, funky, jazz, and reggae band hailing from Providence, Rhode Island.

Visit www.rockandbluescruise.com to order tickets for this exciting series!

By Jeanne Denizard, Reposted from Examiner.com

Ready to Rumble: 2013 Rock “n” Roll Rumble bands revealed

Thursday, March 21st, 2013

2013 Rock N Roll RumbleEvery year Anngelle Wood amazes me. How does the host of Boston Emissions find 24 new bands — 24 new and awesome bands — to play the Rock ‘n’ Roll Rumble?

Rock hates middle age — remember all that “I hope I die before I get old” and “It’s better to burn out than fade away” stuff?  But now well into its 30s, after literally hundreds of bands, the Rumble is better than ever. It’s our very own music festival crammed with metal and roots rock and indie pop and everything else. Best of all, the class of 2013 is made up of a healthy mix of total unknowns and buzzing bands — I’ve seen exactly 1/3rd of these acts live, and I haven’t even heard of another 1/3rd.

The 2013 Rock ‘n’ Roll Rumble begins Sunday, April 7 at T.T. The Bear’s.

 

Ladies and gentlemen, your class of 2013:

The Field EffectWhite Dynomite Eddie Japan
Glenn Yoder and the Western StatesThe Okay Win
Jack Burton vs. David Lo PanThe Deep North
EndationBlackbuttonCamdenHerra Terra
WhitcombParksTwin BerlinVelah
The Suicide Dolls Coyote KolbLifestyleMount Peru
Ruby Rose FoxThe Daily PravdaSupermachine
Cancer Killing Gemini The New Highway Hymnal

 

By Jed Gottlieb-Boston Herald, Re-posted from BostonHerald.com

It’s official: Jay Z and JT at Fenway Aug. 10

Monday, February 25th, 2013

Jay-Z and Justin Timberlake will play Fenway Park on Aug. 10 (tickets on sale at LiveNation.com on Feb. 28). Justin Timberlake & Jay Z

The duo is calling its tour “The Legends of the Summer,” which seems a little presumptuous, but hey, JT’s psyched to be back and I think that’s great. And nothing against Jason Aldean, but this bill seems a lot more special. It seems like the kind of event that Fenway deserves.

The tour kicks off July 17 in Toronto, Ontario at the Roger’s Centre and continues through August 16 in Miami, Florida at Sun Life Stadium. Tickets for all dates except New York go on sale to the public on Thursday, February 28 at LiveNation.com. Beginning today, fans can click here to RSVP for early access to presale tickets available on February 27. Citi cardmembers will have access to presale tickets beginning today at noon.

LEGENDS OF THE SUMMER tour dates

July 17 * Toronto, ON * Rogers Centre

July 19 * New York, NY * Yankee Stadium

July 22 * Chicago, IL * Soldier Field

July 26 * San Francisco, CA * Candlestick Park

July 28 * Los Angeles, CA * Rose Bowl

July 31 * Vancouver, BC * BC Place Stadium

August 4 * Hershey, PA * Hershey Stadium

August 6 * Detroit, MI * Ford Field

August 8 * Baltimore, MD * M&T Bank Stadium

August 10 * Boston, MA * Fenway Park

August 13 * Philadelphia, PA * Citizens Bank Park

August 16 * Miami, FL * Sun Life Stadium

By Jed Gottlieb, Re-posted from BostonHerald.com

URO Blows the Roof Off the Regent

Wednesday, December 26th, 2012

 

The Ultrasonic Rock Orchestra at the Regent Theatre, 7 Medford Street, Arlington, MA December 22nd. Shows added for Saturday December 29th and New Years Eve. www.regenttheatre.com/

One of the crummy things about getting older is that you tend to get a little jaded and fall into the “been there, done that” mindset. But one of the good things about getting older (assuming that you actually grow up) is that you find out that being wrong can be a good – even great – thing, especially when you go into an event with lowered expectations and end up getting blown away. Such was the case at the Regent Theater in Arlington on Saturday night when I went to see the Ultrasonic Rock Orchestra, a classic rock tribute band that features 10 (you read that right) singers – plus guitars, keyboards, bass and drums. And URO reminded me why The Who, David Bowie, The Beatles, Led Zeppelin, and Queen (with a little Hendrix thrown in) have earned their lofty status as CLASSIC rock bands. And instead of playing note-for-note versions of hits from these iconic artists, the URO dug deep into the band’s catalogs and infused the old chestnuts with new life.

URO’s Rock and Roll Extravaganza is kind of the anti-thesis of WZLX, the Boston “classic hits” radio station that keeps playing the same four or five hits by major rock acts until you don’t care if you ever hear them again. URO started off with a pretty good treatment of “Baba O’Reilly” by the Who, and I thought to myself, “This isn’t so bad.” And then they just went off, ripping into faithful but imaginative versions of Led Zeppelin’s “Misty Mountain Top”, Queen’s “Killer Queen” and the Beatles “Paperback Writer” – which made me remember that the boys from Liverpool were originally a ROCK band before George Martin, LSD and the Maharishi catapulted them into a completely different brand of genius. Every one of these tunes was infused with a new energy provided by the stellar vocal arrangements and delivery of the group.

One of the elements that makes this band so much fun to watch (above their prodigious talent and the rock babe factor) is the way they shuffle in a new singer or singers for each number. There are five female singers (some with stripper-sequel names) and three male singers. And most of the singers play instruments as well, led by co-founder of the group Dr. Defiance (who looks a little like Dr. Evil from the “Austin Powers” series) who plays guitar, sings and is the ringmaster of this three ring rock circus. The leads are sung interchangeably by the male singers, including guitarist Deagan, and three of the women – Elektra, Roxy and the marvelous Alice Marvel. Marvel’s enthusiasm for the material was infectious as she seductively gyrated her way through the two sets with a smile as wide as a rich kid’s on Christmas. The rest of the band was equally joyous in their delivery – and you can tell they really enjoy what they’re doing.

The band was really impressive ripping through hi-powered rock blasters like the Beatles’ “Helter Skelter,” Queen’s “Tie Your Mother Down” and “Who Are You” by the Who (plus a blistering version of Hendrix’ “Cross Town Traffic”), but they were even more awe-inspiring with the more intricate and complex numbers like the Beatles “”Dear Prudence” and Golden Slumbers/Carry That Weight/ The End and their brilliant rendition of “Bohemian Rhapsody.” URO also tripped up (and delighted) the audience with an obscure seven-and-a-half minute medley of “A Quick One While He’s Away” by The Who.

According to Dr. Defiance, what I saw on Saturday night included only half of the material from the previous week’s show, and the performance will change again on the 29th and on the New Year’s Eve Extravaganza. This show is a rock n’ roll lover’s wet dream, and if you never got to see any of the original bands at the height of their powers, this is a great substitute.

For more, see www.regenttheatre.com/.

By Mike Hoban, Re-posted from BostonEventInsider.com

Aerosmith Encourages Voting and Promotes Album With Free Outdoor Concert in Boston

Monday, November 5th, 2012

Aerosmith's free concert in BostonBOSTON — Thousands of Aerosmith fans watched the band perform on Monday in front of the building in Boston where they once lived.

People hung out windows, crowded fire escapes and stood on roofs on Commonwealth Avenue to watch a free concert meant to encourage voting and promote the band’s new album, which comes out Tuesday, Election Day.

The band played songs including “Walk this Way,” “Sweet Emotion” and some from their new album, “Music from Another Dimension!”

New England Patriots quarterback Tom Brady was among those at the show, getting on stage with other football team officials after the band arrived in an amphibious tour vehicle.

The caravan of seven duck boats, with the band riding in “Beantown Betty,” shut down city streets as a police escort led the way from TD Garden arena to 1325 Commonwealth Ave.

Some fans lined streets to wave to the band as their caravan rolled past landmarks including Boston Common and City Hall, and many skipped work or school to go the show.

Boston University student Becca Emmetts, who lives in Aerosmith’s former building, sent a friend to her physics class with this message explaining her tardiness: “Aerosmith was playing on my front stoop.”

Angela Menino, wife of Boston Mayor Thomas Menino, presented band members with street signs commemorating their old address and a city plaque that will be mounted in front of the building.

It says Steven Tyler, Joe Perry, Brad Whitford, Joey Kramer, and Tom Hamilton lived in the building’s second story in the 1970s, and that it was there the “The Bad Boys of Boston” got their start in rock music.

A track on Aerosmith’s self-titled album called “Movin’ Out” was about moving out of the apartment. But Monday, the rock stars were happy to be back in their old digs.

Building resident Melissa Morrissey snapped a photo of Tyler as the front man came in the building minutes before Aerosmith got on a stage in the back of an 18-wheeler.

“I got a sick picture of him blowing a kiss,” the 23-year-old pharmacy student said. “Want to see it?”

Morrissey said she’d already planned to vote and buy the band’s new release, but Monday’s show was something special.

“It’s just really, really cool that they came back to where they started to show their appreciation,” she said.

The show caused transportation disruptions with a trolley service suspension, road closures and parking bans, but police said the show went off without any major hitches.

“Everything was fantastic. The logistics worked out well,” Boston Police Superintendent-in-Chief Dan Linskey said after watching people of all ages rock along with the band’s music.

“It was great. Who doesn’t love Aerosmith?” Linskey said.

“I think we’ve all been on a treadmill with Aerosmith getting us through the final minutes,” he added.

And with U.S. political races entering their final hours Monday, Aerosmith ended its Election Day Eve show by blasting the crowd with red, white and blue confetti.

Later, band members also made imprints of their hands in squares of wet cement, which the city plans to plant in front of the rockers’ old Boston home.

By Bridget Murphy, Re-posted from HuffingtonPost.com

The 25 Most Overplayed Songs Of All Time

Wednesday, October 31st, 2012

The songs we hate to hate, but just can’t help it.

One of the great things about the iPod age has been the ability to program your own music. Previous generations who wanted to kick out some jams had to rely on their own collections of records that—get this—they had to pay for, or else they had to listen to the radio.

And radio is the primary culprit when it comes to taking perfectly good songs and turning them into Pavlovian triggers capable of inciting homicidal rage in even the gentlest soul. But radio isn’t the only culprit; movies, commercials, and annoying friends can ruin songs too by forcing you to listen to them again and again and again.

No matter what the cause, there are just some songs that we never ever need to hear again, as long as we live. Here is our list of songs we wish could be banished forever.

1. “Stairway to Heaven” (Led Zeppelin) Led Zeppelin
This song has the distinction of frequently being voted as the greatest rock song of all time, mostly by people who listen to too much classic rock radio and probably don’t own a copy of Led Zeppelin IV. Because if they did own a copy, they’d know that there are no fewer than four songs that are more deserving of that honor on that album, let alone within the entirety of the Zeppelin catalog.

So what is it that makes this song so bone-chillingly bad, at least once you’ve heard it for the 300th or 400th time? Is it that terrible quadruple-tracked recorder played during the Renaissance-Fair-sounding intro? Is it the fact that the drums don’t kick in until the four-minute mark? Or is it the preposterously pretentious lyrics, with lines like “if there’s a bustle in your hedgerow” and “the piper’s calling you to join him” that mean absolutely nothing whatsoever? Yes.

Even Robert Plant once subtly acknowledged his own dissatisfaction with “Stairway” when he pledged money to a public radio station that promised to never again play the song.

2. “More Than a Feeling” (Boston)
Some songs torment you twice. Once when they first become hits and get played ad nauseam on the radio, and again when they become part of nostalgia culture. Like the feathered hair and thick mustache sported by singer Brad Delp back in ’76, “More Than a Feeling” is not even ironically cool anymore. It just needs to go away.

3. “Don’t Stop Believing” (Journey) Journey
While Boston actually sounded good the first few times you heard them, Journey, born of the same mid-‘70s payola-infused FM rock radio culture, always made us wince. The best that can be said of them is that it was exactly this kind of vapid, overproduced music that caused punk rock to happen. This song found a second life (and even a return to the Top 40 charts) when it was used in the horribly unsatisfying series finale of The Sopranos. There was something fitting about using that song as the soundtrack to Tony Soprano’s final moment, because if we ever hear this song again we hope that we get put out of our misery by an assassin’s bullet.

4. “Imagine” (John Lennon)
John Lennon was one of the great rock singers and songwriters of all time, as most people would agree. But while Paul McCartney is always thought of as the Beatle most likely to write a wimpy ballad, Lennon was no slouch in the schmaltz department himself. The song’s lyrics evoke a post-conflict world in which religion, possessions, and life after death are no longer needed—a hippie paradise. Blech. Imagine no “Imagine.” It’s really hard to do.

5. Every Song by The Eagles
We’re sure there are still some of you who like to check into “Hotel California” and kick back to “Peaceful Easy Feeling” to escape your “Life In the Fast Lane,” but the rest of us will be perfectly content to never hear a single song by The Eagles ever again. Hating this band was good enough for El Duderino, and it’s good enough for us.

6. “Solsbury Hill” (Peter Gabriel)
We’re not really sure why Peter Gabriel’s wistful, nostalgic ode to the verdant England of his childhood became so popular on this side of the muddy pond, but somehow it has. All we know is, whenever this comes on, we instantly feel nostalgic for a time before we heard this song.

7. “Brown Eyed Girl” (Van Morrison)
Van Morrison’s first release as a solo artist (after leaving his group Them), “Brown Eyed Girl” has actually been officially recognized for being overplayed. It has been honored for having been played 10 million times on U.S. radio and 9 million times on U.K. radio. It’s also been featured in several movies, including The Big Chill, the film responsible for ruining Motown for an entire generation.

8. “Dancing In The Streets” (Various Artists)
This song has the distinction of having been recorded by several different musicians, none of whom came close to capturing the spirit of the original by Martha and the Vandellas. The Kinks tried in 1965, only a year after the original, and their version was terrible. Van Halen did their take on the song in 1982, and the less said about that the better. But it was David Bowie and Mick Jagger who dealt the fatal blow to the song, in a bafflingly bad performance that was accompanied by one of the worst music videos of all times.

9. “Bohemian Rhapsody” (Queen)
This song has everything. A ballad that leads into a wicked guitar solo that leads into an operatic vocal interlude that leads into a heavy hard rock song that leads back into a ballad. Which is everything you need to make a song that gets less enjoyable with every listen, especially when you’ve heard it nine-thousand times. Yes, it was funny when they sang along with it in Wayne’s World. No, it’s not funny when we hear it now.
10. “Smells Like Teen Spirit” (Nirvana) Nirvana
Ever wonder why Kurt Cobain really killed himself? We think it was because this song, which was written as a joke (it even includes a musical allusion to “More Than a Feeling”) became Nirvana’s signature song. Alternative stations played this song to death, and it was further beaten into the ground when “Weird Al” Yankovich parodied it, “Smells Like Teen Spirit” came to define the grunge era, which is one reason why no one remembers the grunge era fondly.

11. “Tainted Love” (Soft Cell)
When it came out, Soft Cell’s cover of this obscure soul song originally recorded by Gloria Jones was a brilliant updating of the ‘60s soul groove. But after endless plays on the radio, in clubs, and on any TV show or movie set in the 1980s, this song is the thing that’s truly tainted.

12. “Two Princes” (Spin Doctors)
As we said at the outset of this article, many of the songs on this list are good songs that have been ruined by overexposure. This song is the exception. We were sick of this dippy faux-hippy-jam-band throwaway the first time we heard it.

13. “Louie Louie” (Anyone)
Do we really need to explain this? It’s “Louie Louie” for gosh sakes.

14. “Love Shack” (B-52’s)
Nothing against the B-52’s—they’ve got many great songs—but this one is like one of those jokes that’s hilarious when you first hear it, makes you chuckle the second time, then makes you groan every time thereafter.

15. “Sweet Caroline” (Neil Diamond)
This song was killed by karaoke, where for some reason, it’s become a song you’re forced to hear at every bar where drunk people who can’t sing feel the urge to do so in public.

16. “Come On Eileen” (Dexy’s Midnight Runners)
For some reason, Dexy’s is revered in England, where they are beloved by critics and music fans alike. Maybe some of their other songs are good, but we’ll never know, thanks to the many times we’ve been forced to endure this Celtic-folk-music-inspired ‘80s abomination.

17. “Rehab” (Amy Winehouse)
This clever Northern Soul-inspired ditty was the perfect showcase for Amy Winehouse’s incredible voice, but the sad irony of the song in the wake of Winehouse’s death hasn’t made us any less sick of this way-too-overplayed hit.

Rod Stewart18 “Forever Young” (Rod Stewart)
Rod Stewart’s career cliff dive—from being one of the best rock singers of all time to becoming one of the most laughable caricatures of a former rocker—hit its low with “Da Ya Think I’m Sexy,” but it’s this awful ballad that makes anyone who hasn’t heard his amazing work with The Faces and Jeff Beck shudder with fear.

19. “Good Riddance (Time of Your Life)” (Green Day)
It’s not just that it’s a ballad from a “punk” band. It’s that it’s a ballad from a “punk” band sung with a fake British accent. We’d love to say good riddance to this song once and for all.

20. “Dream On” (Aerosmith)
There are so many better songs by this band that should be as huge as this song. But maybe it’s for the best that this throwaway ballad has been chosen as the dead horse in the Aerosmith catalog for radio to flog. We’re much happier knowing that “Seasons of Wither” hasn’t been spoiled like this song has.

21. “Start Me Up” (The Rolling Stones)
This respectable later-day Stones song was ruined forever after it was used in TV commercials for Microsoft’s Windows 95 operating system. But when it started being used at every sporting event ever it went from being annoyingly overplayed to becoming an instrument of torture.

22. “Old Time Rock ‘n’ Roll” (Bob Seger)
Rock songs about rock are almost never good. And as this song proves, they almost never rock. Blame this one on Risky Business and the image of Tom Cruise lip-syncing in his tighty-whiteys.

23. “Don’t Speak” (No Doubt)
Please, Gwen, don’t sing. It’s really not something you’re good at.

24. “American Pie” (Don McLean)
Don McLean’s ode to “the day the music died”—the plane crash that killed Buddy Holly, Richie Valens, and that other guy no one ever remembers—was a bit much even the first time you heard the full 8-minute version (calling Holly et. al. “the Father, Son, and Holy Ghost” is the height of pretension), but how many times can you hear a story that you already know the ending of?

25. “Happy Birthday” (Everyone)
It’s the song that no one likes to sing, and no one likes to have sung to them, yet for some reason we’re subjected to it many times a year, not only at birthday parties, but even when we’re out to eat and just trying to enjoy our meal. If there’s one upside to dying, it has to be the knowledge that we’ll never have to hear this song again.

By David Merline, Editor- Re-posted from We2carz.com

Crash Safely: A Rock ‘n’ Roll Fundraiser for Bike MS

Friday, September 28th, 2012

Crash Safely bandDon’t spend all your money on my ARL benefit tonight, you need to save some for the second annual Crash Safely — a two night benefit for the National MS Society and Bike MS at the Davis Square Theatre in Somerville on Friday & Saturday.

The shows will also benefit the Bike MS team of Pete Hayes, drummer of The Figgs, who was diagnosed with MS in 2008. It’s a great cause featuring a killer lineup — Friday you get gritty soul with Jenny Dee & The Deelinquents (and other local talents; Saturday you get your face melted off with the face-melting rock of The Upper Crust and Sidewalk Driver (and more).

The details:

Night #1: Friday 9/28/2012 21+, $10 in adv/$12 day of  $18 Special 2 day pass  http://www.brownpapertickets.com/event/255334   Doors at 7:30 PM  12:00 AM – The Unholy III (featuring Kevin Stevenson)  11:00 PM – The Dirty Truckers  10:00 PM – The Gentlemen  9:00 PM – Jenny Dee & The Deelinquents  8:00 PM – The Phil Aiken Army

Night #2: Saturday 9/29/2012 21+, $10 in adv/$12 day of  $18 Special 2 day pass  http://www.brownpapertickets.com/event/255334 Doors at 7:30 PM  12:00 AM – The Upper Crust  11:00 PM – Sidewalk Driver  10:00 PM – TRiPLE THiCK  9:00 PM – Thick Shakes  8:15 PM – Cotton Candy

Tickets available at brownpapertickets.com

By Jed Gottlieb, Re-posted from BostonHerald.com

Bruce Springsteen guitarist Nils Lofgren previews Boston shows

Tuesday, August 14th, 2012

Bruce Springsteen has made masterpieces and clunkers. (Who still listens to 2009’s “Working on a Dream”?) But for 40 years, his concerts have been consistently epic.

At 62, the Boss just wrapped a European tour with concerts that ran a rock ’n’ roll marathon of three-and-a-half-hours. In front of 80,000Nils Lofgren & Bruce Springsteen at London’s Hyde Park, he broke his curfew and officials pulled the plug. Next up is a Stateside stadium trek beginning at Fenway Park [map] on Tuesday and Wednesday and Gillette Stadium on Aug. 18.

But for the first time since Springsteen came barreling out of Freehold, N.J., he’s without sax man Clarence Clemons, who died a year ago. For E Street Band guitarist Nils Lofgren, who spent three decades stationed between Springsteen and Clemons on stage, the loss of the Big Man has been huge.

“It was a giant challenge to re-create the band and another chapter without Clarence,” Lofgren said from his home in Arizona. “I saw it as the biggest challenge I’ve ever been through with the band … But Bruce has navigated it pretty spectacularly.”

While Clemons’ nephew Jake Clemons has joined the band, he hasn’t replaced Clarence. Instead, the younger Clemons is part of a five-piece horn section.

“There is no Clarence II, just like there is no Gary Tallent II, Roy Bittan II, and so on,” Lofgren said. “But having the horn section is great, having Jake and Ed (Manion) share the sax duties is great. Bruce has so many songs that lend themselves to horns, it’s good that we can put them to use every night.”

The E Street Band now features 18 members who play dozens of instruments, from guitars and fiddles to accordions and glockenspiels. Lofgren calls it “the greatest toolbox in rock ’n’ roll history.” And with three “new” albums to pull from (2011’s “Wrecking Ball” and the double-disc re-issue “The Promise”), there is plenty of fresh material.

“Sometimes all the pieces are roaring at once, and then a moment later, the show is just Bruce with a harmonica and guitar,” Lofgren said.

By the end of the night, everyone’s covered with sweat and occasionally blood — Lofgren tore his rotator cuff during a stage tumble in the spring; he’s had both hips replaced after too many rock star leaps from the drum riser.

The guitarist began with Neil Young, toured with Ringo Starr and has a small but successful solo career. His latest album, “Old School,” features Bad Company singer Paul Rodgers and Foreigner frontman Lou Gramm. But he says he’ll always be ready when Bruce calls.

“I’ve trained my whole life for this,” he said. “As long as my health is fine, I’ll keep doing this.”

Bruce Springsteen, at Fenway Park, Tuesday and Wednesday. Tickets: $75-$103; event.etix.com. Bruce Springsteen, Gillette Stadium, Aug. 18. Tickets: $40-$101; www.ticketmaster.com.

By Jed Gottlieb, Re-posted from BostonHerald.com